He was called the Japanese
Elvis
and, unlike some who bore such a title,
Masaaki Hirao
actually recorded somewhat close to the peak of
Presley
. While
Hirao
recorded between 1958 and 1960, perhaps giving birth to a Japanese rock & roll scene that remained enraptured with rockabilly well into the new millennium, he actually made a valiant effort to make moody rock & roll that could possibly hold its own with its American forefather.
Ace
's 2013 collection
Nippon Rock 'n' Roll
pairs studio work with live cuts, and it's a fascinating listen as the music certainly gets within the ballpark of American rock & roll -- the band jives and wails, while
croons and caterwauls, taking pains to mimic his idols but never quite sounding as if he was outright stealing. Perhaps the language barrier made a difference: apart from "Lawdy Miss Clawdy," he took the pains to translate lyrics, so his versions of classic rockers "Jailhouse Rock," "Lucille," "Sittin' in the Balcony," and "Jenny Jenny" are suitably different enough where he can stamp them with his own personality. That's important, but it's also notable that his backing band didn't sound too concerned with making their marks; they were happy to swing and rock, so this has air and groove, something that is particularly evident on the live material, which also benefits from a worshipful audience. Some of the original songs dip into a cinematic melodrama that fits
's American pastiche, but the whole thing is a surprise: it's not a novelty, but a credible refraction of early rock & roll through an Eastern lens. ~ Stephen Thomas Erlewine