The Secret Machines
aren't breaking any new ground on their debut full-length album,
Now Here Is Nowhere
; instead, they mix up elements of the last 35 years of rock history like the driving rhythms of '70s German rock, the sprawling guitar textures of late-'60s and '70s British psych, pounding drums lifted off of
Led Zeppelin II
, the expansive textures of arena-friendly '80s groups like
U2
and
Echo & the Bunnymen
, and the aching indie rock vocals of the '90s -- basically the same template as
the Flaming Lips
circa 1993, early
Mercury Rev
,
the Verve
, or mid-period
Ride
. In fact, some of the songs are so indebted to their influences ("Sad and Lonely" is pure
Led Zep
from the kick of
Josh Garza
's drums to
Ben Curtis
' very
Plant
-like vocal, "The Leaves Are Gone" is pure
Flaming Lips
with
Curtis
' open-hearted and breaking vocal sounding like
Wayne Coyne
with pitch, and "Nowhere Again" is a dead ringer for a track on
's
See You on the Other Side
album) that it takes a healthy dose of suspended judgment to let the songs sink in and begin to work their magic. It is worth the effort, too, because there is some magic to be had here. What makes the record good is the level of dedication the bandmembers throw into their work, the lovely walls of sound they build on each track, and most of all the sense of untrammeled joy they infuse their music with. Tracks like the sprawling opener "First Wave Intact," the drifting "Pharaoh's Daughter," "The Leaves Are Gone," and the poignant ballad "You Are Chains" are the work of a band in love with sound, both volume and texture, and a band with the melodic sense to make their atmospheres more than just pretty sounds. By the end of the last track, the epic "Now Here Is Nowhere,"
the Secret Machines
have proven themselves as worthy heirs to the indie rock tradition that
the Lips
the Rev
established so well.
isn't on par with either of those band's best work, but it is a promising beginning and -- more importantly -- an intriguing and exciting listen. ~ Tim Sendra