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Now Is Another Time
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Now Is Another Time
Current price: $15.99
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Barnes and Noble
Now Is Another Time
Current price: $15.99
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Saxophonist
David Murray
continues his cross genre initiatives on this undeniably exciting, 2003 release
Now Is Another Time
. With this effort, the artist enlists his longtime running mates, trumpeter
Hugh Ragin
and baritone saxophonist
Hamiet Bluiett
to complement a huge cast of Cuban musicians. This large ensemble
Latin jazz
extravaganza packs a mighty blow, from beginning to end. Here, the band churns out radiant, multi-layered horn arrangements atop the Cuban masters' sweltering percussion grooves and the soloists' blaring exchanges. They integrate punctual choruses into the grand mix, to coincide with the band's bold, brassy sound and thrusting impetus. Furthermore,
Murray
is in top form, evidenced by his climactically driven soloing endeavors -- where he peaks within the upper registers -- via an unrelenting pace. It's all about perpetual motion topped off with a festive sentiment, marked by oscillating Afro-Cuban grooves and a few poignant interludes here and there. But the musicians also utilize space to their advantage, where they often allow any given soloist, ample breathing room to reconfigure previously explored themes. Folks, this is the real deal. An awe-inspiring effort, indeed! ~ Glenn Astarita
David Murray
continues his cross genre initiatives on this undeniably exciting, 2003 release
Now Is Another Time
. With this effort, the artist enlists his longtime running mates, trumpeter
Hugh Ragin
and baritone saxophonist
Hamiet Bluiett
to complement a huge cast of Cuban musicians. This large ensemble
Latin jazz
extravaganza packs a mighty blow, from beginning to end. Here, the band churns out radiant, multi-layered horn arrangements atop the Cuban masters' sweltering percussion grooves and the soloists' blaring exchanges. They integrate punctual choruses into the grand mix, to coincide with the band's bold, brassy sound and thrusting impetus. Furthermore,
Murray
is in top form, evidenced by his climactically driven soloing endeavors -- where he peaks within the upper registers -- via an unrelenting pace. It's all about perpetual motion topped off with a festive sentiment, marked by oscillating Afro-Cuban grooves and a few poignant interludes here and there. But the musicians also utilize space to their advantage, where they often allow any given soloist, ample breathing room to reconfigure previously explored themes. Folks, this is the real deal. An awe-inspiring effort, indeed! ~ Glenn Astarita