"Taxi, sir? Yes, sir. No. 4 will be yours." A red-faced, loud-breathing commissionaire, engaged in the lucrative task of pocketing sixpences as quickly as he could summon cabs, vanished in a swirl of macintoshes and umbrellas. People who had arrived at the theater in fine weather were emerging into a drizzle of rain. "All London," as the phrase goes, was flocking to see the latest musical comedy at Daly's, but all London, regarded thus collectively, is far from owning motor cars, or even affording taxicabs, so the majority of the play-goers were hurrying on foot towards tube railways and omnibus routes. Still, a popular light opera could hardly fail to draw many patrons from the upper ranks of society, and, in the crush at the main exit, Francis Berrold Theydon, hesitating whether to walk or wait the hazard of a cab, deemed himself fortunate when a panting commissionaire promised to secure a taxi "in half a minute." Automobiles of every known variety were snorting up to the curb and bustling off again as promptly as their users could enter and bestow themselves in dim interiors. Being a considerate person-wishful also to light a cigarette-Theydon moved out of the way. In so doing, he was cannoned against by an impetuous footman, whose cry, "Your car, sir," led him to follow the man's alert eyes.