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Oasis
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Oasis
Current price: $11.99
Barnes and Noble
Oasis
Current price: $11.99
Size: OS
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The musicians on this CD (pianist
Chris Cody
,
James Greening
on trombone and pocket trumpet, guitarist
Jon Pease
, bassist
Lloyd Swanton
, drummer
John Bartram
and percussionist
Fabian Hevia
) will not be familiar to American listeners, but that is because they are all fixtures of the jazz scene in Sydney, Australia. They have all been in Europe at one time or another, and their playing is certainly world-class.
Cody
, who has a driving post-bop style, wrote all of the selections except for
"Monk's Mood,"
including the
Monk
ish
"Flooze Blooze."
His music explores plenty of moods, including the Arabic
"El Bahdja,"
the dark ballad
"After the Storm,"
the swinging
"Gare De L'Est"
and a passionate
"Shadows Across the Land."
Mostly heard on trombone,
Greening
displays plenty of spirit in his playing, while the rhythm section is both alert and intuitive, reacting quickly to the ideas of the lead voices. The music is not startlingly original, nor necessarily Australian in character, but neither is it a mere copy of American styles. Well worth checking out, this advanced straight-ahead release is rounded out by the exuberant
"African Dance."
~ Scott Yanow
Chris Cody
,
James Greening
on trombone and pocket trumpet, guitarist
Jon Pease
, bassist
Lloyd Swanton
, drummer
John Bartram
and percussionist
Fabian Hevia
) will not be familiar to American listeners, but that is because they are all fixtures of the jazz scene in Sydney, Australia. They have all been in Europe at one time or another, and their playing is certainly world-class.
Cody
, who has a driving post-bop style, wrote all of the selections except for
"Monk's Mood,"
including the
Monk
ish
"Flooze Blooze."
His music explores plenty of moods, including the Arabic
"El Bahdja,"
the dark ballad
"After the Storm,"
the swinging
"Gare De L'Est"
and a passionate
"Shadows Across the Land."
Mostly heard on trombone,
Greening
displays plenty of spirit in his playing, while the rhythm section is both alert and intuitive, reacting quickly to the ideas of the lead voices. The music is not startlingly original, nor necessarily Australian in character, but neither is it a mere copy of American styles. Well worth checking out, this advanced straight-ahead release is rounded out by the exuberant
"African Dance."
~ Scott Yanow