Solo careers and outside interests halted
the Sea and Cake
's momentum late in the '90s, but each time the quartet returns it's a boon for anyone who enjoys clean, efficient
indie rock
-- a potential fan base ranging from
Saint Etienne
to
Lambchop
Belle & Sebastian
. Only the band's second record in the past five years,
One Bedroom
updates a previously trademarked sound only slightly; the usual drum shuffles are occasionally replaced by the indie version of a dance beat (usually an under-performing drum machine or samples), while
Sam Prekop
refines his breathy, upper-register vocals and abstract songwriting with an eye to
pop
music. The opener,
"Four Corners,"
sets it off with a special grace, floating in on a wave of sublime synth atmospherics reminiscent of late-'70s
Cluster
, while the tidiest rhythm section in
(bassist
Eric Claridge
and drummer
John McEntire
) paves the way for a breezy
Prekop
vocal that would have sounded fragmentary and undeveloped in the context of any other band, but is pure brilliance here.
"Left Side Clouded"
is similarly charming, beginning with neat acoustic strumming framed by an angular bassline and ending in a restrained guitar flameout. The highlight
"Shoulder Length"
is a perfect record for a crisp spring day, synths and guitar feedback humming like bees over a bouncy, swinging beat. While the accompaniment is always thoughtful and inventive,
's vocal idiosyncrasies tend to be a double-edged sword, delightful on the good songs but only accentuating the dreariness of failed experiments like
"Le Baron"
or
"Try Nothing."
Fortunately, those moments are few and far between; the group sounds supremely confident throughout
, even indulging in a rare cover for the closer,
David Bowie
's icy
"Sound & Vision,"
a perfect fit. ~ John Bush