Having made incredible strides while experimenting with several
hard rock
subgenres on their first three albums,
Manilla Road
appeared set to delve further into the
fantasy
-laced niche of epic
heavy metal
that had dominated 1983's
Crystal Logic
with its 1985 successor
Open the Gates
. Easily their heaviest, hardest-hitting, and most focused effort to date, the album clearly benefited from the arrival of powerhouse new drummer
Randy Foxe
, who provided a more limber and muscular attack behind the kit, and helped founders
Mark Shelton
(vocals/guitar) and
Scott Park
(bass) infuse
's sound with the thrash-affected techniques that were popular of mid-'80s. Only a few cuts (
"Heavy Metal to the World"
and stunning opener
"Metalstorm"
) resorted to all-out
thrash
, however, as the retooled trio continued to take the bulk of their cues from
's formative founders of the '70s and more recent
New Wave of British Heavy Metal
champions like
Iron Maiden
and
Saxon
. In fact, the latter's influence is particularly strong (to discerning
metal
geeks, anyway) in the growled narrations opening and closing the LP, and the guitar licks shot through the near-ten-minute sprawl of
"The Ninth Wave"
(originally featured with
"Witches Brew"
as a 12" vinyl bonus disc), which recalled
's
"The Eagle Has Landed."
As for lyrically,
Shelton
was diving deep into his esoteric, mythological and sci-fi readings, with Arthurian legends providing the backbone to many of the compositions cited above, as well as the excellent, all-too-brief title cut. Another standout, the evocative semi-ballad
"Astronomica"
took a detour into outer space, but the suite of songs comprising the album's second half were almost entirely based on Norse legend, and included such highlights as the deliberate march of
"The Fires of Mars"
and cathartic soloing coda of
"Witches Brew."
In the end, the only thing that sounded amiss on
(though not enough to derail the overall stellar results) was
's voice, since he reportedly had to record all his vocals in a single night while sick as a dog. Other than that, it's easy to understand why
has enjoyed such enduring popularity as one of
's best loved albums, and why it remains, along with predecessor
and follow-up,
The Deluge
, a recommended first listen for new fans. [
Dragonheart
's 2001 digipack reissue of
added two bonus live renditions of the title track and
] ~ Eduardo Rivadavia