Ottenberg synthesizes material from a variety of sources—annals, memoirs, and scholarly sources—and, with them, weaves a coherent narrative of what was performed where, by whom, and what developments took place. Works, companies, and individual singers are discussed to reveal the 19th-century world of performance styles and audience expectations. This is a fascinating look at a relatively unexplored part of American musical and cultural history; the book casts new light on opera in America—its variety, popularity, and appeal to changing audiences throughout the century.