Heliotropes
' second album, 2016's
Over There That Way
, sounds like the work of a very different band than their 2013 debut,
A Constant Sea
, and with good reason. With the exception of guitarist, songwriter, and group leader
Jessica Numsuwankijkul
, no one from that first album appears on the follow-up, and a crew of nine different players back
Numsuwankijkul
on these sessions (two of whom are now part of the group's official lineup, guitarist
Ricci Swift
and bassist
Richard Thomas
). Beyond the different set of musicians,
backs off a bit from the big, grungy guitar attack of
in favor of a relatively poppier and more easygoing approach (though "War Isn't Over" demonstrates
can still bring forth that monolithic guitar tone when it's useful). While
display a lighter touch on
, thematically the album is substantive;
went on a binge of studying World Wars I and II while she was writing these songs, and the human impact of armed conflict, both at home and on the front, informs the material. These ten songs aren't guided by a larger narrative, but enough of the themes return again and again that
feels like a concept album, and the echoey simplicity of the arrangements and production gives the music a unity that holds the individual tracks together quite well. Though there's a dour shade to some of the melodies,
keeps the sound of the album just upbeat enough to keep this from seeming like a collection of dirges, with touches like the very '50s sax on "Wherever You Live."
doesn't seem like the obvious path
could have taken after
, which is to its advantage, demonstrating
isn't just a one trick pony. ~ Mark Deming