When irrepressible and boundless musician died in 1992, he left behind a small lifetime's worth of unreleased material. During his short time on Earth, he had some club hits and released a few albums that explored his dancefloor-oriented impulses as well as more experimental modes. Posthumous releases, however, have shed light on the larger scope of 's work, with 1994's showcasing his sweetly naive songwriting, 2004's collecting tracks that lived between his avant-garde disco production mindset and an uncanny pop sensibility, and releases like 2008's and 2019's exposing country-folk undercurrents. is another deep dive into 's archive of unreleased tapes, focusing on material closest stylistically to his unequaled 1986 endeavor . On that album, created an engrossingly beautiful atmosphere using mostly heavily processed cello and softly murmuring vocals, resulting in a meditative but all-consuming sound unlike anything else. consists of nine tracks cut from a similar cloth, with many of them built from only heavily delayed cello bowings, breathily melodic vocals, and subaquatic burbling sounds filling in as rhythms. Pieces like "Very Reason," "Not Checking Up," and "In the Light of a Miracle" carry the same gentle strangeness of , structured like an endless river of sound dips in and out of. There are some new subtleties here that will be unexpected surprises to anyone already enamored with , such as the guitar that joins double-tracked cellos on "Fuzzbuster #06" or the unannounced segments of harmonica on "The Boy with a Smile." Though this previously unheard material is in a very similar mode as , it benefits from multiple decades of advances in audio technology, with a sound more robust and defined than the thin, somewhat dated production of the 1986 album. So much of 's work contained a playful curiosity, but that sweet character never felt so apparent as it did with the delicate intensity of . 's continuance of that pure spirit is a gift to anyone with a special place in their heart for , and even more evidence of just how peerless he was an artist. ~ Fred Thomas