Home
Prowler the Yard
Barnes and Noble
Prowler the Yard
Current price: $12.99


Barnes and Noble
Prowler the Yard
Current price: $12.99
Size: CD
Loading Inventory...
*Product information may vary - to confirm product availability, pricing, shipping and return information please contact Barnes and Noble
Prowler in the Yard
is
Pig Destroyer
's first "real" full-length, coming after a bunch of singles, a split CD (with the band
Gnob
), and a discography/compilation CD (
38 Counts of Battery
). It is actually a sort of
grindcore
equivalent to a
rock
concept album, at least in terms of the lyrics, which detail the disturbing final thoughts of a stalker parked outside his ex-girlfriend's house. (These lyrics are far less graphic, by the way, than one would expect based on the grisly cover art). Also on the concept front, the album is bookended by a computerized voice narrating an unrelated, but also fairly disturbing, scene involving the same ex-girlfriend. Musically, though, this is an album of straight-ahead, stripped-down
characterized by harsh, shouted vocals and short, relentlessly fast songs. There are a few brief
electronic
interludes and distorted vocal effects passages, but everything else is done with a basic guitar/drums/vocals lineup (although with some overdubbing in the guitar department). Guitarist
Scott Hull
(formerly of
A.C.
and also a member of
Agoraphobic Nosebleed
) has come up with plenty of great riffs here, such as the breakdown during the
Melvins-esque
"Starbelly,"
but the real impressive thing about this disc is just the constant barrage of aggression and intensity. It simply doesn't let up; there are parts where it seems like the energy level and abrasiveness are at a plateau (at the end of
"Preacher Crawling,"
for example), only to rise again to a new level. This is an impressive release that makes a strong case for
, alongside
Discordance Axis
and
Nasum
, as one of the top
bands of the late '90s/early '00s. ~ William York
is
Pig Destroyer
's first "real" full-length, coming after a bunch of singles, a split CD (with the band
Gnob
), and a discography/compilation CD (
38 Counts of Battery
). It is actually a sort of
grindcore
equivalent to a
rock
concept album, at least in terms of the lyrics, which detail the disturbing final thoughts of a stalker parked outside his ex-girlfriend's house. (These lyrics are far less graphic, by the way, than one would expect based on the grisly cover art). Also on the concept front, the album is bookended by a computerized voice narrating an unrelated, but also fairly disturbing, scene involving the same ex-girlfriend. Musically, though, this is an album of straight-ahead, stripped-down
characterized by harsh, shouted vocals and short, relentlessly fast songs. There are a few brief
electronic
interludes and distorted vocal effects passages, but everything else is done with a basic guitar/drums/vocals lineup (although with some overdubbing in the guitar department). Guitarist
Scott Hull
(formerly of
A.C.
and also a member of
Agoraphobic Nosebleed
) has come up with plenty of great riffs here, such as the breakdown during the
Melvins-esque
"Starbelly,"
but the real impressive thing about this disc is just the constant barrage of aggression and intensity. It simply doesn't let up; there are parts where it seems like the energy level and abrasiveness are at a plateau (at the end of
"Preacher Crawling,"
for example), only to rise again to a new level. This is an impressive release that makes a strong case for
, alongside
Discordance Axis
and
Nasum
, as one of the top
bands of the late '90s/early '00s. ~ William York