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Rather Ripped [LP]
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Rather Ripped [LP]
Current price: $10.84
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Barnes and Noble
Rather Ripped [LP]
Current price: $10.84
Size: CD
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Considering that
Sonic Youth
lost
Jim O'Rourke
and found the custom-tweaked, irreplaceable guitars that were stolen in 1999 before heading into the studio to make
Rather Ripped
, it seemed that the album could be a big departure from what they'd been doing on
Murray Street
and
Sonic Nurse
-- possibly a return to the kind of music they could only make with those instruments, or perhaps an entirely different approach that reflected their revamped, old-is-new-again lineup.
ends up being of a piece with their previous two albums, and often plays like a stripped-down, slightly less-inspired
. Once again,
Kim Gordon
contributes some of the best tracks here;
"Reena"
"Jams Run Free"
are equal parts dreamy and driving, while
"The Neutral"
is a sweet, low-key love song.
Thurston Moore
contributes a gently but powerfully political track a la
's
"Peace Attack"
with
"Do You Believe in Rapture?,"
a reflection on peace and apocalypse that's mostly serene, even if the guitar harmonics throughout the song add shivers of doubt and tension.
"Rats"
is a standard-issue
Lee Ranaldo
song, freewheeling and poetic (and with lines like "Let me place you in my past/With other precious toys," it has the sharpest lyrics on
), even if it's not quite as amazing as the previous album's
"New Hampshire."
rock
songs are solid, but not amazing -- the interplay of
Moore
's and
Ranaldo
's guitars and
Steve Shelley
's drumming are the best things about
"Sleepin' Around"
"What a Waste."
Actually, the more atmospheric songs end up being some of the most compelling.
"Lights Out"
reeks of whispery, late-night cool, and the closing track,
"Or,"
is one of the sparest and most oddly unsettling songs
has done in a while (not to mention a reminder that quiet doesn't always mean peaceful in this band's world).
is also surprisingly lean, with the songs on its first half feeling so tightly structured that they seem like radio edits. Only
"Turquoise Boy"
"Pink Steam"
really open up and deliver
's famously sprawling, jam-based sound. If
is a tiny bit disappointing, it's only because the band's playing outpaces their songwriting ever so slightly. It's a solidly good album, and if taken as part of a trio of albums with
, it shows that
is still in a comfortable yet creative groove, not a rut. ~ Heather Phares
Sonic Youth
lost
Jim O'Rourke
and found the custom-tweaked, irreplaceable guitars that were stolen in 1999 before heading into the studio to make
Rather Ripped
, it seemed that the album could be a big departure from what they'd been doing on
Murray Street
and
Sonic Nurse
-- possibly a return to the kind of music they could only make with those instruments, or perhaps an entirely different approach that reflected their revamped, old-is-new-again lineup.
ends up being of a piece with their previous two albums, and often plays like a stripped-down, slightly less-inspired
. Once again,
Kim Gordon
contributes some of the best tracks here;
"Reena"
"Jams Run Free"
are equal parts dreamy and driving, while
"The Neutral"
is a sweet, low-key love song.
Thurston Moore
contributes a gently but powerfully political track a la
's
"Peace Attack"
with
"Do You Believe in Rapture?,"
a reflection on peace and apocalypse that's mostly serene, even if the guitar harmonics throughout the song add shivers of doubt and tension.
"Rats"
is a standard-issue
Lee Ranaldo
song, freewheeling and poetic (and with lines like "Let me place you in my past/With other precious toys," it has the sharpest lyrics on
), even if it's not quite as amazing as the previous album's
"New Hampshire."
rock
songs are solid, but not amazing -- the interplay of
Moore
's and
Ranaldo
's guitars and
Steve Shelley
's drumming are the best things about
"Sleepin' Around"
"What a Waste."
Actually, the more atmospheric songs end up being some of the most compelling.
"Lights Out"
reeks of whispery, late-night cool, and the closing track,
"Or,"
is one of the sparest and most oddly unsettling songs
has done in a while (not to mention a reminder that quiet doesn't always mean peaceful in this band's world).
is also surprisingly lean, with the songs on its first half feeling so tightly structured that they seem like radio edits. Only
"Turquoise Boy"
"Pink Steam"
really open up and deliver
's famously sprawling, jam-based sound. If
is a tiny bit disappointing, it's only because the band's playing outpaces their songwriting ever so slightly. It's a solidly good album, and if taken as part of a trio of albums with
, it shows that
is still in a comfortable yet creative groove, not a rut. ~ Heather Phares