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Repeat After Me
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Repeat After Me
Current price: $9.99
Barnes and Noble
Repeat After Me
Current price: $9.99
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Repeat After Me
is
Los Amigos Invisibles
' sixth recording overall, and their third for
Nacional
. While the band's "new gozadera" sound remains, the level of sophistication at work here was only hinted at on their previous two offerings for the label. The Venezuelan sextet combines grooves that push the envelope of songwriting, arranging, and production at every turn. While
Commercial
and
Not So Commercial
utilized inspirations from
Daft Punk
to
Prince
's
Paisley Park
, the inspirations on
reach back further -- toward the soulful funk of the mid- to late '70s, smooth disco, and Latin soul, with just enough lithe rock to expand the dynamics. "La Que Me Gusta"'s intro bassline is swiped straight from
the Supremes
' "You Can't Hurry Love," but the melody is less urgent, modern, warmer, a new breed of Latin soul. By contrast," "Sex Appeal" is pure wonky funk. "Rio Porque No Fue un Sueno" melds
Isley Brothers
groove,
Leroy Hutson
's seductiveness, and
Santana
's guitar soloing circa
Caravanserai
Welcome
. With "Stay," a desperate, broken love song and the set's longest cut, the funk remains, but it's spacy, nocturnal, and emotive. The participation of the swinging trio
Los Hermanoes Naturales
on "Mostro" adds wild, scattershot gypsy jazz to the proceedings to boot. Throughout, the horn and string arrangements on some of the aforementioned cuts, or the fingerpopping -- not to mention hilarious -- "Reino Animal," expand the colorful palette of sounds and layered textures found on the set. Disco gets a real hearing on the largely instrumental "Robot Love" and the dancefloor banger "Invisible Love," near the album's end where the strings are straight out
Barry White
and the synths are pure
Giorgio Moroder
, all woven through this killer neo-Latin soul frame. Despite the obvious influential references,
are able to stretch and morph them into something completely their own. This is due in no small part to
Julio Briceno
's vocals. No matter the music's intensity, he manages to add this loose, laid-back feel to every utterance -- whether he is singing in Spanish or English -- that makes the party roll at a simmering heat.
Jose Luis Pardo
's production and mix are equal partners with the band in this creation. Together they make
another step up the creativity ladder for
. ~ Thom Jurek
is
Los Amigos Invisibles
' sixth recording overall, and their third for
Nacional
. While the band's "new gozadera" sound remains, the level of sophistication at work here was only hinted at on their previous two offerings for the label. The Venezuelan sextet combines grooves that push the envelope of songwriting, arranging, and production at every turn. While
Commercial
and
Not So Commercial
utilized inspirations from
Daft Punk
to
Prince
's
Paisley Park
, the inspirations on
reach back further -- toward the soulful funk of the mid- to late '70s, smooth disco, and Latin soul, with just enough lithe rock to expand the dynamics. "La Que Me Gusta"'s intro bassline is swiped straight from
the Supremes
' "You Can't Hurry Love," but the melody is less urgent, modern, warmer, a new breed of Latin soul. By contrast," "Sex Appeal" is pure wonky funk. "Rio Porque No Fue un Sueno" melds
Isley Brothers
groove,
Leroy Hutson
's seductiveness, and
Santana
's guitar soloing circa
Caravanserai
Welcome
. With "Stay," a desperate, broken love song and the set's longest cut, the funk remains, but it's spacy, nocturnal, and emotive. The participation of the swinging trio
Los Hermanoes Naturales
on "Mostro" adds wild, scattershot gypsy jazz to the proceedings to boot. Throughout, the horn and string arrangements on some of the aforementioned cuts, or the fingerpopping -- not to mention hilarious -- "Reino Animal," expand the colorful palette of sounds and layered textures found on the set. Disco gets a real hearing on the largely instrumental "Robot Love" and the dancefloor banger "Invisible Love," near the album's end where the strings are straight out
Barry White
and the synths are pure
Giorgio Moroder
, all woven through this killer neo-Latin soul frame. Despite the obvious influential references,
are able to stretch and morph them into something completely their own. This is due in no small part to
Julio Briceno
's vocals. No matter the music's intensity, he manages to add this loose, laid-back feel to every utterance -- whether he is singing in Spanish or English -- that makes the party roll at a simmering heat.
Jose Luis Pardo
's production and mix are equal partners with the band in this creation. Together they make
another step up the creativity ladder for
. ~ Thom Jurek