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Return to Paradise
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Return to Paradise
Current price: $17.99
Barnes and Noble
Return to Paradise
Current price: $17.99
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Vocalist
Sam Sparro
has always evinced a love of '70s and '80s disco, funk, and soul in his decidedly electronic-based dance music. His 2008 debut showcased plenty of
Stevie Wonder
-meets-
Prince
-sounding cuts, including the single, "Black and Gold," which featured
Sparro
's deep, resonant baritone croon over pulsing synths like some lost Studio 54-era anthem.
takes this love of classic dance club music even further on his superb 2013 sophomore album,
Return to Paradise
. While retaining his knack for immediately catchy pop hooks,
has crafted a more organic, less electronic-minded (though there is still some of that here, too) album full of real drums, keyboards, organs, guitars, horns, and strings. Essentially, this is groove-oriented R&B, immaculately produced with a disco and house music purist's ear for period details. Tracks like the steamy opener "Paradise People," and the absolutely jubilant, '90s house music-sounding "Happiness" are infectious club moments that grab your ears as much as they do your feet. Having a great voice and a big personality never hurts when it comes to effusive dance music, and in this way,
also succeeds. With a subtle gospel inflection and just enough vocal melisma when it's required,
imbues each of these songs with an intensity, passion, and palpable love that shines through even when he's singing about heartbreak and negativity, as on the ballad "I Wish I Never Met You." There is also a bit of camp, of course, in the presentation of some songs, with
even casting himself as a future space diva awaiting his return to help save the earth from androids who've waged what he calls "Robogeddon" on the title track. Whether the song is really a metaphor for his move away from electronic dance music and rediscovery of organic, live instrumentation, or literally a plea to save the earth's ecology,
makes us believe. In that sense,
isn't just an album about a time when music made us groove in the refracted disco ball light of Studio 54 or the Paradise Garage. Its about how funky, soulful music and a positive attitude can help us recapture our best selves and make a paradise out of the present. As he sings on "Happiness," "I can feel the world spinning round. Do you feel it? Ooh yeah." ~ Matt Collar
Sam Sparro
has always evinced a love of '70s and '80s disco, funk, and soul in his decidedly electronic-based dance music. His 2008 debut showcased plenty of
Stevie Wonder
-meets-
Prince
-sounding cuts, including the single, "Black and Gold," which featured
Sparro
's deep, resonant baritone croon over pulsing synths like some lost Studio 54-era anthem.
takes this love of classic dance club music even further on his superb 2013 sophomore album,
Return to Paradise
. While retaining his knack for immediately catchy pop hooks,
has crafted a more organic, less electronic-minded (though there is still some of that here, too) album full of real drums, keyboards, organs, guitars, horns, and strings. Essentially, this is groove-oriented R&B, immaculately produced with a disco and house music purist's ear for period details. Tracks like the steamy opener "Paradise People," and the absolutely jubilant, '90s house music-sounding "Happiness" are infectious club moments that grab your ears as much as they do your feet. Having a great voice and a big personality never hurts when it comes to effusive dance music, and in this way,
also succeeds. With a subtle gospel inflection and just enough vocal melisma when it's required,
imbues each of these songs with an intensity, passion, and palpable love that shines through even when he's singing about heartbreak and negativity, as on the ballad "I Wish I Never Met You." There is also a bit of camp, of course, in the presentation of some songs, with
even casting himself as a future space diva awaiting his return to help save the earth from androids who've waged what he calls "Robogeddon" on the title track. Whether the song is really a metaphor for his move away from electronic dance music and rediscovery of organic, live instrumentation, or literally a plea to save the earth's ecology,
makes us believe. In that sense,
isn't just an album about a time when music made us groove in the refracted disco ball light of Studio 54 or the Paradise Garage. Its about how funky, soulful music and a positive attitude can help us recapture our best selves and make a paradise out of the present. As he sings on "Happiness," "I can feel the world spinning round. Do you feel it? Ooh yeah." ~ Matt Collar
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