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Rhythm 'n' Bluesin' by the Bayou: Rompin' & Stompin'

Current price: $13.99
Rhythm 'n' Bluesin' by the Bayou: Rompin' & Stompin'
Rhythm 'n' Bluesin' by the Bayou: Rompin' & Stompin'

Barnes and Noble

Rhythm 'n' Bluesin' by the Bayou: Rompin' & Stompin'

Current price: $13.99

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Given the Louisiana R&B scene, the subtitle here does carry some meaning: this is R&B that romps and stomps and rocks and rolls, and it's one hell of a good time. Like its two predecessors --
Rhythm 'n' Bluesin' by the Bayou
and
Bluesin' by the Bayou
(yes, the titles do get a little confusing) -- this features sides recorded by
J.D. Miller
,
Eddie Shuler
Floyd Soileau
Jake Graffagnino
, this time adding
Sam Montel
to the mix. Outside of collectors, those names aren't likely to carry much weight, and the same may be true of the artist names, too. Usually, it's blues acts that are familiar --
Lonesome Sundown
Sugar Boy Crawford
sustained a career (but this is a different
Big Walter
than the famed Chicago harp player) -- but hardly every blues shouter here is known, which is much of the appeal of the collection. By relying on buried gems, this captures a time and place, but this was a time and place that was running headfirst into the zeitgeist, with a whole state learning what it means to rock & roll.
Tabby Thomas
is the one that keeps yelling out to teenagers -- he recorded
Bobby Charles
' wild "Teenagers," plus "Teenage Queen" -- but
Lester Robertson
echoes
Chuck Berry
with his "Schooldays Schooldays" (
Chuck
's "Round and Round" provides the title for
Crawford
's twister, but not the melody). The references to Cajun (
Classie Ballou
's "Oh Mama (Cajun Blues)") or country (
Ivory Jackson
's "I'm a Country Boy") are all incidental: this is hopping, jumping, rocking music that was made with the intention of boogying right out of the bayou, but it remained in the vaults, largely until this 2014 set. Maybe none of these 28 songs would've been a hit, but they're all dynamite, intense, and fun rocking R&B that show just how fertile Louisiana was at the dawn of the '60s. ~ Stephen Thomas Erlewine

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