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Rize of the Fenix
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Rize of the Fenix
Current price: $29.99
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Barnes and Noble
Rize of the Fenix
Current price: $29.99
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It's no mystery why
Tenacious D
call their third album
Rize of the Fenix
.
JB
and
KG
suffered the slings and arrows of outrageous fortune when they unleashed
The Pick of Destiny
in 2006, a feature film -- complete with an accompanying soundtrack -- that netted approximately no new fans and may even have cost them a few. Well aware of this bomb, it's imperative that
the D
fashion their third album -- arriving a long six years after
Pick
-- as a triumphant comeback, a
Fenix
rising from the ashes, if you will. And, for the most part,
do succeed, the best moments of
easily flattening the bloat of
. If they happen to lose a bit of their sense of rampaging grandeur, they compensate with tightly constructed epics that impress by their lack of fat: the title-track suite gallops along with purpose, "To Be the Best" is a gleeful send-up of "The Power" (animated Transformers by way of Boogie Nights), "Roadie" is a heartfelt salute to its overlooked namesake, and country-rock closer "39" is an ode to an aging groupie. This is all, in the parlance of another of the album's highlights, "Low Hangin' Fruit."
don't stray from their songs of rock & roll and songs of themselves, but considering the pit that they were in, they can't be faulted for being overly careful, even if that caution can make parts of the album -- namely the spoken skits, the staged blow-ups between Hollywood Jack and Rage Kage, and a few of the songs about rocking -- feel a little long in tooth. Nevertheless,
does amount to a rousing comeback for
: they're back to their old tricks, oblivious to whether the world at large actually cares about their shenanigans. ~ Stephen Thomas Erlewine
Tenacious D
call their third album
Rize of the Fenix
.
JB
and
KG
suffered the slings and arrows of outrageous fortune when they unleashed
The Pick of Destiny
in 2006, a feature film -- complete with an accompanying soundtrack -- that netted approximately no new fans and may even have cost them a few. Well aware of this bomb, it's imperative that
the D
fashion their third album -- arriving a long six years after
Pick
-- as a triumphant comeback, a
Fenix
rising from the ashes, if you will. And, for the most part,
do succeed, the best moments of
easily flattening the bloat of
. If they happen to lose a bit of their sense of rampaging grandeur, they compensate with tightly constructed epics that impress by their lack of fat: the title-track suite gallops along with purpose, "To Be the Best" is a gleeful send-up of "The Power" (animated Transformers by way of Boogie Nights), "Roadie" is a heartfelt salute to its overlooked namesake, and country-rock closer "39" is an ode to an aging groupie. This is all, in the parlance of another of the album's highlights, "Low Hangin' Fruit."
don't stray from their songs of rock & roll and songs of themselves, but considering the pit that they were in, they can't be faulted for being overly careful, even if that caution can make parts of the album -- namely the spoken skits, the staged blow-ups between Hollywood Jack and Rage Kage, and a few of the songs about rocking -- feel a little long in tooth. Nevertheless,
does amount to a rousing comeback for
: they're back to their old tricks, oblivious to whether the world at large actually cares about their shenanigans. ~ Stephen Thomas Erlewine