The most popular and successful lineup of -- , , and -- was coming off the Grammy-winning when it recorded its third and final album, . It has been suggested that in employing a medieval album cover (drawn by ), using titles like and and occasionally playing in a baroque style, particularly in 's was responding to 's successful string of albums on similar themes. Certainly, the music suggests that the musicians have been listening to 's band, , among other groups. But they bring more of a approach to their sound, particularly in the opening statement of intent and the original side one closer, both of which feature extensive acoustic piano soloing by . The original side two -- -- is much more in a style, with particularly rocking out on extensive, fast-paced electric guitar solos. Meanwhile, the rhythm section of is always extremely busy, maintaining a , driving pulse and several cross rhythms no matter what's going on above it. This is particularly noticeable, naturally, on 's sole composition, but it continues to keep the music in the camp even when is sounding like a more pianist. is the sound of a mature band at the top of its game, which may help explain why it was 's most popular album, eventually certified as a gold record, and the last by this assemblage. Having expressed themselves this well, they decided it was time for them to move on. ~ William Ruhlmann