San Francisco's
Train
hit the charts with a bang early in the 21st century with hits like
"Calling All Angels"
and
"Drops of Jupiter."
Save Me, San Francisco
took four years to make, four studios in the United States and England, songwriting collaborators, and even a handful of producers, though
Martin Terefe
gets the final credit.
is a focused record, centering around the theme of a wandering young rocker who falls in love and wants to settle down. The title track opens with an acoustic guitar playing a variation on the classic I-IV-V progression, a snare kicks in, and
Pat Monahan
's voice is in prime
Bob Seger
confessional style. A piano and electric guitars enter on "whooo-hooo-hooo" chorus, and it's near-perfect radio rock. That said, the single
"Hey Soul Sister,"
a love song with the best anthemic
chorus to date, is the album's most memorable cut, name-checking
Mr. Mister
and employing a
Madonna
metaphor -- crediting her in the process. Acoustic guitars, kick drums, tom-toms, mandolins, and a B-3 underscoring
Monahan
's emotive lyrics and melody make it literally unforgettable.
"I Got You"
samples
the Doobie Brothers
'
"Black Water"
as an intro, and then further uses its chorus with a faux-reggae backbeat. It's a high-gloss, big-production pop number. There are a couple of
's signature ballads here, too: the conflict-laden
"This Ain't Goodbye,"
arranged with strings, and
"Words,"
with its undying profession of standing in the eye of the storm to protect the protagonist's beloved.
"Brick by Brick,"
with its swelling choruses, has a lyric that promises the moon and tries hard to deliver it, in the processional 4/4 time that underscores all of
's power ballads. The album concludes with in
"Marry Me,"
in which
sings prayerfully, accompanied only by an acoustic guitar, flute, and muted percussion.
is a love song to the band's hometown. Their loyal fan base will no doubt celebrate it to be sure, but more than this,
sounds like
are swinging hard for the pop fences. ~ Thom Jurek