Fred Wah’s career has spanned six decades and a range of formal styles and preoccupations. collects Wah’s concrete and sound poetry of the 1960s, his landscape-centric work of the 1970s, and his ethnicity-oriented poems of the 1980s. Fred was a founding member of the avant-garde TISH group, which helped turn Canadian poetry, in the West in particular, to a focus on language. He has said that his “writing has been sustained, primarily, by two interests: racial hybridity and the local.” Most of Wah’s early work is out of print. This collection allows readers to (re)discover this groundbreaking work. The volume contains: (1965) (1967) (1972) (1974) (1975) (1980) (1981) (1982) (1985) (1988) (1991) The collection has been organized according to a chronology of composition (rather than a chronology of original publication): this reveals new connections and thematic trajectories in the body of work as a whole, and makes the book an eminently “teachable” volume. The book includes full-colour facsimiles of two early books, and , reproduced to show the "hands-on" object-based aspect of chapbook publishing.