Like every new British band to straddle the nu-folk scene, London-based quintet
Dry the River
have had to deal with the shadow of
Mumford and Sons
looming over them, despite forming a year before
Sigh No More
brought the tweed waistcoat back into fashion. Take a couple of songs from their debut album,
Shallow Bed
, such as the rousing, string-laden romance of "The Chambers & the Valves," and the slow-building pastoral folk of "Shield Your Eyes" out of context, and the comparisons don't seem too wide off the mark. But with
Interpol
and
the National
producer
Peter Katis
on board, the majority of its 12 tracks are grittier and far less twee than
Mumford
's country bumpkin fare. Opener "Animal Skins" sets the more adventurous tone, combining chiming
U2
-esque riffs with a muddy low-slung bassline and a glorious, gospel-tinged chorus; "Lion's Den" begins as an elegant slice of sophisticated Baroque pop before bursting into life with a furious post-rock crescendo; while "Weights & Measures" blends the grandiose indie rock of
Biffy Clyro
with the wintry harmonies of
Fleet Foxes
. Indeed, there are times when
appears more suited to the valleys of the Deep South than the quaint English countryside, particularly on the more delicate numbers such as the eerie grunge-blues of "Bible Belt" and the lush, hymnal Americana of "Demons," while frontman
Peter Liddle
's heartfelt tones often recall the impassioned dramatics of
Brandon Flowers
, especially on the
Tarantino
-meets-
Phil Spector
"New Ceremony" and the chest-thumping stadium rock of "No Rest."
Liddle
has previously described their sound as "folky gospel music played by a post-punk band," and
's eclectic spiritual nature proves that isn't just hollow talk. ~ Jon O'Brien