For a good part of the '50s
B.B. King
recorded for
the Bihari Brothers
'
RPM
and
Kent
labels, and the brothers would, in turn, issue collections of these singles on LP as part of their discount
Crown Records
series.
B.B. King Sings Spirituals
originally appeared as a
Crown
LP in 1959, but it was less a collection of singles than a true labor of love for
King
, who took it as an opportunity to return to the Baptist and Pentecostal church music of his childhood. It's easy to forget that
isn't just a
blues
player with a particularly distinctive guitar style, he is also a singer, and in the '50s he really worked more to the
R&B
side of the field than to the
half, and, as these tracks show, his roots were always deep in
gospel
. The instrumentation here is sparse and appropriate to the
spiritual
material, just organ, piano, bass, and drums with tons of handclapping and choral support, and absolutely no guitar.
's singing here is a bit of a revelation to those who only know him for his
work, as he breaks loose and sings vigorously on numbers like the rollicking
"Ole Time Religion"
and a stomping
"Army of the Lord."
This is
, one supposes, before the thrill was gone. He sounds absolutely jubilant. [This
Ace
reissue adds in a generous eight bonus tracks of period singles and alternate versions, some of them decidedly secular, including the stunning
"I Am,"
which shows unequivocally that
is an explosively expressive singer when he chooses to be, and a curious horn-driven version of
Merle Travis
"Sixteen Tons"
that was released in 1955 as a single at the same time as
Tennessee Ernie Ford
's hit version of the song. ~ Steve Leggett