On the title cut of
Small Town Heroes
,
Alynda Lee Segarra
, the mastermind (and sometimes sole member) behind ramshackle New Orleans-based folk ensemble
Hurray for the Riff Raff
, wrestles with the fallout of a relationship gone sour over a single finger-picked guitar paired with the slow, distant freight train hum of a Hammond B-3, and reaches a simple, well-weathered conclusion; "I tempted fate, and I acted smart/I grew some callous on my heart".
Segarra
's take on the Big Easy, and dusty, boxcar Americana in general, is hardly groundbreaking, but her sonorous and soulful voice, and her ability to weave a real sense of place and emotional authenticity into well-worn folk motifs make for a compelling listen, especially when she peppers the familiar with a pinch or two of subversion. Both "Crash on the Highway" and "The Body Electric" are built upon a foundation of tumbleweed-strewn, dust bowl fatalism, but the former turns tragedy into amusing tour diary fodder ("We can't make it to our gig on time"), and the latter offers a up a smart, feminist take on the traditional murder ballad ("Like an old sad song, you heard it all before/Deliah's gone but I'm settling the score"). Throughout it all
struts her stuff without the slightest bit of arrogance (most of the arrangements are spare, but never willfully so), offering up a confident, yet ultimately amiable set of millennial-informed, urban crafted,
Woody Guthrie
-inspired, contemporary hobo-folk anthems that play fast and loose with genre tropes without losing the essence that makes them universal. ~ James Christopher Monger