Named after label founders
Rufus Mitchell
and
Jack Bennett
,
Ru-Jac
was a soul label based in the Baltimore area that operated from 1963 to the mid-'70s. By most measures, it was the definition of a local label, generating no big national hits and no stars. Prior to their release of the multi-volume
The Ru-Jac Records Story
Omnivore
issued compilations focusing on
Winfield Parker
Gene & Eddie
, two fine R&B acts whose profiles were not much higher than cult favorites, and the same could be said for the label as a whole: It's the kind of imprint collectors cherish but isn't especially well-known at large. Divided into four individual installments, all
should change that narrative somewhat, even if the series winds up revealing that it was indeed a local label following the fashions of the time: As the volumes pass, it's possible to hear uptown rhythms give way to funky grooves, and the whole affair feels anchored to the breezy sounds of the east coast. This is especially true on
Something Got a Hold on Me
, the first installment in the series. Beginning in 1963, a good half of the record is devoted to sophisticated soul that echoes what was being made in New York City in the early '60s --
Tiny Tim
(aka
Mr. T
, which means he's most assuredly not to be confused with the "Tiptoe Through the Tulips" singer) sounds like a hybrid of
Chuck Jackson
Jackie Wilson
, for instance, while
Celestine
is a dead ringer for any number of girl groups. The ease of
stands out in this setting, as does the occasional instrumental dancefloor number (
Flattop Bobby & the Soul Twisters
' "Cross Track," the unknown group who cut "Trash Can"), since they move
slightly away from the expected, but part of the appeal of
is that in unearths largely unknown sides that sound vaguely like beloved 45s. Maybe the songs and performers are sometimes a shade generic, but the vibe is right. ~ Stephen Thomas Erlewine