With
Somnambulists
,
There Were Wires
continues its precision telescoping of post-
hardcore
, breaking the album's midportion material into two- and three-minute furies of frenzied screams, frantic, wiry guitars, and percussion that doesn't so much hammer out a rhythm as it pounds a beat into brutal submission.
"Walking"
is a slight departure, wavering deliberately between slower,
Slint
-like arcs of guitar and angular drop-offs that keep suggesting a tempo change. Instead, the instrumental sets up the bullheaded
"Get Cryptic,"
which itself charges through a surging, lurching staging area before finally finding its bullied and bruised hinging moment. It's not really necessary to understand
TWW
's tortured vocals -- as they fight to be heard over the deafening instrumental din or deconstructed (i.e., slowed down)
metal
riffs, it seems their purpose might not be to inform, but unify the alchemic stylistics at work.
"Black Magic Rabbit"
is two minutes of churning bass punctuated by bright, brittle flashes of tensile guitar, while opener
"New Doom"
expertly plays
' introspective and screaming invective sides off of one another. With the ten-minute
"Gasp"
removed,
is only about 20 minutes long. But it still feels like an album, since
is so adept at tension shift and explosive, temple-punching dynamics. Yes, your head is ringing at the end. ~ Johnny Loftus