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Soul at the Hands of the Machine
Barnes and Noble
Soul at the Hands of the Machine
Current price: $17.99
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Barnes and Noble
Soul at the Hands of the Machine
Current price: $17.99
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Drummer
Guillermo E. Brown
burst onto the progressive
jazz
circuit via his performances and recordings with forward-thinking saxophonists
David S. Ware
and
Rob Reddy
amid various projects and sessions. His first solo release finds the artist carrying the torch for
Thirsty Ear
's somewhat futuristic "Blue Series."
Brown
, with assistance from multi-reedmen
Daniel Carter
Andre Vidal
, among others, delivers a decisively high-tech outing, awash with
funk
,
trip-hop
, and more. The drummer lays down a series of complex
electro-acoustic
beats in concert with the
ambient
electronic
soundscapes and the woodwind performers' often willowy lines.
also receives assistance from vocalist
Latasha Natasha Diggs
, who provides some downright enigmatic
vocalese
on four pieces. A few of these works might be reminiscent of what
Herbie Hancock
's
Headhunters
were doing back in the '70s. Yet, advances in digital instrumentation and effects processing clearly distinguish this outing from anything that may have been produced back in the '70s or '80s.
seems to be having some good-natured fun throughout this nicely produced effort, which is a culmination of cleverly orchestrated sounds and mini-themes. He also melds some odd-metered shuffle and
swing
vibes into his groove-oriented attack. It might seem like there is a bit too much going on at once in some instances or passages; however,
's clear-sighted direction and conspicuously novel approach reap considerable dividends. ~ Glenn Astarita
Guillermo E. Brown
burst onto the progressive
jazz
circuit via his performances and recordings with forward-thinking saxophonists
David S. Ware
and
Rob Reddy
amid various projects and sessions. His first solo release finds the artist carrying the torch for
Thirsty Ear
's somewhat futuristic "Blue Series."
Brown
, with assistance from multi-reedmen
Daniel Carter
Andre Vidal
, among others, delivers a decisively high-tech outing, awash with
funk
,
trip-hop
, and more. The drummer lays down a series of complex
electro-acoustic
beats in concert with the
ambient
electronic
soundscapes and the woodwind performers' often willowy lines.
also receives assistance from vocalist
Latasha Natasha Diggs
, who provides some downright enigmatic
vocalese
on four pieces. A few of these works might be reminiscent of what
Herbie Hancock
's
Headhunters
were doing back in the '70s. Yet, advances in digital instrumentation and effects processing clearly distinguish this outing from anything that may have been produced back in the '70s or '80s.
seems to be having some good-natured fun throughout this nicely produced effort, which is a culmination of cleverly orchestrated sounds and mini-themes. He also melds some odd-metered shuffle and
swing
vibes into his groove-oriented attack. It might seem like there is a bit too much going on at once in some instances or passages; however,
's clear-sighted direction and conspicuously novel approach reap considerable dividends. ~ Glenn Astarita