Recorded in Memphis with songwriting legend , 's first studio album since turning 70, , may seem an unlikely new direction for a singer synonymous with old-fashioned rock & roll and schmaltzy Christmas ballads, but having previously released 1998's R&B-themed and singing duets with the likes of and , it's not as radical a departure as you might think. Unfortunately, despite its credible behind the scenes team and an impressive guest list featuring some of the genre's greatest vocalists, the follow-up to his big-band effort, , lacks the soul needed to justify its bombastic title. Indeed, having recruited the likes of , and , it's a shame that their legendary talents are wasted on karaoke renditions of 's "Always and Forever," 's "Teardrops," and 's "I'm Your Puppet," respectively, while it's hard to see where the likes of the driving pop/rock ballad "Saving a Life," the falsetto-led synth pop of "Every Piece of My Broken Heart," the completely unexpected pastiche, "Don't Say You Love Me (It'll Ruin My Day)," and the acid house grooves on closer "Birds of a Feather" fit in with the soul music concept. However, there are several more encouraging results spread throughout these 15 tracks. ' collaboration "How We Get Down" echoes the smooth Philly soul of the original five-piece in their '70s heyday; "She Looked Good" is a toe-tapping slice of infectious, brass-fused, soul-pop featuring the uplifting harmonies of , while "Are U Feeling Me?" is a gentle, string-soaked ballad which recalls the glossy '80s soul of its featured vocalist, . It's admirable that having entered his eighth decade, is still willing to explore new avenues, but having assembled a roster of artists most soul aficionados could only dream of, ' lack of focus and disappointingly flat production means it's hard to shake the feeling that he's wasted his opportunity to add another string to his bow. ~ Jon O'Brien