Spitfire
was
Jefferson Starship
's 1976 follow-up to the chart-topping
Red Octopus
(1975), and it found the band in a cooperative mood. All seven bandmembers earned writing credits on at least one of the nine songs, along with eight outsiders, and even drummer
John Barbata
got a lead vocal on the simple
rock & roll
song
"Big City."
But the three main power centers in the group remained in place. Singer/guitarist
Paul Kantner
continued to turn out his lengthy, complex songs with their exhortatory, vaguely political lyrics (the five-minute
"Dance with the Dragon"
and the seven-minute
"Song to the Sun: Ozymandias/Don't Let It Rain"
). Singer
Grace Slick
contributed her own idiosyncratic compositions, simultaneously elliptical and passionately stated (
"Hot Water"
and
"Switchblade"
). And singer
Marty Balin
, whose
romantic
ballad
"Miracles"
had fueled the success of
, wrote (or located) and sang more songs of love and pleasure (
"Cruisin',"
"St. Charles,"
"With Your Love,"
"Love Lovely Love"
). Weaving the three styles together were the fluid lead guitar work of
Craig Chaquico
and the alternating bass and keyboard playing of
David Freiberg
Pete Sears
. The result was an album that quickly scaled the charts, spending six consecutive weeks at number three in
Billboard
and going platinum. That it didn't do better on the band's considerable career momentum can be put down to the relatively disappointing nature of the material. There was no
on the album, to begin with.
Grunt Records
released the more modest
"With Your Love"
as a single and got it into the Top 20, but the closest thing to
was really
a song that certainly had some of the same elements but lacked the kind of direct emotional statement that made
a classic. Similarly,
was no
"Ride the Tiger"
(from
Dragon Fly
[1974]), and while
was an unusually clear statement of romantic intent from
Slick
(whose "lyrical wordplay is...not easily accessible yet compelling and thought-provoking," as 2004 reissue annotator
Jeff Tamarkin
generously says of
), its provocative title made it an unlikely choice for an
adult contemporary
hit.
was more than the sum of its parts, boasting the sort of vocal interplay and instrumental virtuosity that had always been the hallmarks of
Jefferson Airplane
. If the band had taken more time to write and find better songs, it might have matched the sales and quality of its predecessor. ~ William Ruhlmann