was 's first major success in the U.K., hitting the top ten in 1983 and beginning a string of successful recordings that would continue throughout the band's career. The band's previous releases were pleasant but somewhat tepid exercises in jazz-lite; not only marked a significant change of direction, but proved could truly be an ace pop band. 's first three releases (1981), (1982), and (a compilation of material recorded in 1980, prior to the band's signing to ) revealed a promising young band with undeniable talent and melodic instincts. Despite modest success with strong singles such as and pointless instrumentals and slick production added unnecessary weight to these albums. was different for two main reasons : the songs were shorter and more accessible, and for the first time, all the songs included vocals. The group began as an all-instrumental jazz outfit; in order for to become more commercially viable, bassist and keyboardist eventually began to open their mouths and sing. Never a strong vocalist, nevertheless was an engaging frontman, becoming more relaxed and self assured as the band's career progressed, while 's falsetto backing vocals added a distinctive touch. the opening cut here, is a good example of their approach; the synth-heavy track also prominently features 's brilliant keyboard work. Produced by of (one of 's obvious influences), contains a number of strong tracks; the funky British top-ten hit and the midtempo ballad are highlights, and the band's amazing musicianship is always a pleasure to hear. Only the goofy bogs down the album, and 's trademark thumb-slapping bass playing technique makes even that tune worth hearing. Like most early-to-mid 80's albums, also suffers from a somewhat dated sound, but it is one of the most impressive offerings in 's strong body of work. ~ William Cooper