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Star Wars: Episode IV - A New Hope [Original Motion Picture Soundtrack]
Barnes and Noble
Star Wars: Episode IV - A New Hope [Original Motion Picture Soundtrack]
Current price: $16.99
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![Star Wars: Episode IV - A New Hope [Original Motion Picture Soundtrack]](https://prodimage.images-bn.com/pimages/0050087364229_p0_v2_s600x595.jpg)
Barnes and Noble
Star Wars: Episode IV - A New Hope [Original Motion Picture Soundtrack]
Current price: $16.99
Size: CD
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Today, this double-LP set seems a quaint anachronism from a generally silly decade, though much of the music -- including the opening fanfare, the music associated with Luke Skywalker, Princess Leia, and Ben Kenobi, and the Death Star motif -- still resonates 30 years later, so iconic has it become. In 1977, however, the
Star Wars
soundtrack fairly revolutionized the field of contemporary movie music, as well as energizing it like a lightning strike. There had been a few notable original orchestral scores during the '60s and '70s --
Maurice Jarre
's soundtrack for
Doctor Zhivago
sold in the millions, and
John Williams
' Oscar-winning score for
Jaws
was also a landmark of sorts, but in the main, the music for movies was getting simpler and the soundtrack albums cheaper and shoddier in design and more disposable by the year. Additionally, the old guard among Hollywood's top orchestral composers was virtually gone by 1976 --
Bernard Herrmann
had passed away at the start of the year,
Alfred Newman
was long gone, as were
Max Steiner
and
Erich Wolfgang Korngold
, and
Dimitri Tiomkin
was in retirement; only
Miklos Rozsa
remained active on an intermittent basis, and when his new soundtrack work was issued on LP, it was usually by specialty labels catering to a small audience.
Then came
and its soundtrack by
, two whole LPs of it played by
the London Symphony Orchestra
, handsomely designed and looking expensive and important, which matched the sound of the music. In one fell swoop,
Williams
' defiantly retro, late-19th century-style score, written in a mode and idiom that directly recalled
Korngold
(not to mention
Gustav Holst
Richard Wagner
, among many other composers from the concert hall), restored the old-fashioned, '40s-style full
orchestral
score to full vitality. And suddenly, a new generation of fans for such music, some as young as high school age, were seeking out the old soundtracks by
,
Steiner
Newman
Herrmann
Rozsa
, et al., either in new pressings or new recordings where available or, just as often, in original releases at flea markets, garage sales, and thrift shops. Some of the music hasn't aged as well as one would have hoped, but most of it remains a breath of fresh air, and the best parts of the score still hold up. ~ Bruce Eder
Star Wars
soundtrack fairly revolutionized the field of contemporary movie music, as well as energizing it like a lightning strike. There had been a few notable original orchestral scores during the '60s and '70s --
Maurice Jarre
's soundtrack for
Doctor Zhivago
sold in the millions, and
John Williams
' Oscar-winning score for
Jaws
was also a landmark of sorts, but in the main, the music for movies was getting simpler and the soundtrack albums cheaper and shoddier in design and more disposable by the year. Additionally, the old guard among Hollywood's top orchestral composers was virtually gone by 1976 --
Bernard Herrmann
had passed away at the start of the year,
Alfred Newman
was long gone, as were
Max Steiner
and
Erich Wolfgang Korngold
, and
Dimitri Tiomkin
was in retirement; only
Miklos Rozsa
remained active on an intermittent basis, and when his new soundtrack work was issued on LP, it was usually by specialty labels catering to a small audience.
Then came
and its soundtrack by
, two whole LPs of it played by
the London Symphony Orchestra
, handsomely designed and looking expensive and important, which matched the sound of the music. In one fell swoop,
Williams
' defiantly retro, late-19th century-style score, written in a mode and idiom that directly recalled
Korngold
(not to mention
Gustav Holst
Richard Wagner
, among many other composers from the concert hall), restored the old-fashioned, '40s-style full
orchestral
score to full vitality. And suddenly, a new generation of fans for such music, some as young as high school age, were seeking out the old soundtracks by
,
Steiner
Newman
Herrmann
Rozsa
, et al., either in new pressings or new recordings where available or, just as often, in original releases at flea markets, garage sales, and thrift shops. Some of the music hasn't aged as well as one would have hoped, but most of it remains a breath of fresh air, and the best parts of the score still hold up. ~ Bruce Eder