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Stories for Monday
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Stories for Monday
Current price: $15.99
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Barnes and Noble
Stories for Monday
Current price: $15.99
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The
Summer Set
's
Stories for Monday
, the Scottsdale pop/rock quintet's fourth LP, is an album that almost didn't come to fruition. During promotion prior to the album's release, vocalist
Brian Logan Dales
revealed that
the Summer Set
nearly called it quits in late 2015 amidst bandmembers' concerns that they had nothing left to say. Instead of a breakup, they forged forth with
, a collection of feel-good youth anthems for both the revelry and the morning after. The specter of that near dissolution looms over much of
Stories
, imparting a reflective and nostalgic energy to the 11 songs chronicled for those eponymous post-party tales. References to the '80s play a big part -- despite their oldest member being born at the end of that decade -- like on the synthy "Jean Jacket," the sentimental "Wonder Years," and the blissful "Change Your Mind," which shouts out to Corvettes, Blonde Ambition,
Joy Division
, and Members Only. There's also a load of
Springsteen
nods (both lyrically and sonically) that would make
Brandon Flowers
proud, with
Dales
singing about "No Surrender," "Thunder Road," "Born to Run," and "American Beauty." This lends a quality that is less Warped Tour pop-punk -- a scene that
are most commonly associated with -- and more throwback arena pop akin to
Jack Antonoff
Bleachers
. In general, they straddle both worlds, but the poppy hints found on 2013's
Legendary
really come to the fore here. On opener "Figure Me Out,"
declares that they're "a bit too pop for the punk kids, but a bit too punk for the pop kids," which is an apt description of the band circa 2016. "The Night Is Young" is a
Journey
-sized arena singalong, with its "live fast, die young" spirit, which bleeds into the defiant sex-and-drugs singalong "All My Friends." A hint of
John Waite
's "Missing You" appears on the chorus of "Missin' You." These millennial distillations of the '80s reveal a distinct pining for times past and an appreciation for accomplishment, regardless of age. On the spiritual center of the album -- the pair of "All In" and "Wasted" -- the band proclaims that, no matter what, the days spent partying together were not wasted. As they close one chapter of their journey together on "When the Party Ends (Can't Hardly Wait)," they declare "Turn the lights on/Party's over/Maybe someday we'll never get older." Yet it's more triumphant than sad. There's that sense of uncertainty on the entire album, which serves as both an extended trip down memory lane and, perhaps, a goodbye. But whether this is simply a bookend before a new phase or a complete finish is up in the air. Either way,
is a total celebration. ~ Neil Z. Yeung
Summer Set
's
Stories for Monday
, the Scottsdale pop/rock quintet's fourth LP, is an album that almost didn't come to fruition. During promotion prior to the album's release, vocalist
Brian Logan Dales
revealed that
the Summer Set
nearly called it quits in late 2015 amidst bandmembers' concerns that they had nothing left to say. Instead of a breakup, they forged forth with
, a collection of feel-good youth anthems for both the revelry and the morning after. The specter of that near dissolution looms over much of
Stories
, imparting a reflective and nostalgic energy to the 11 songs chronicled for those eponymous post-party tales. References to the '80s play a big part -- despite their oldest member being born at the end of that decade -- like on the synthy "Jean Jacket," the sentimental "Wonder Years," and the blissful "Change Your Mind," which shouts out to Corvettes, Blonde Ambition,
Joy Division
, and Members Only. There's also a load of
Springsteen
nods (both lyrically and sonically) that would make
Brandon Flowers
proud, with
Dales
singing about "No Surrender," "Thunder Road," "Born to Run," and "American Beauty." This lends a quality that is less Warped Tour pop-punk -- a scene that
are most commonly associated with -- and more throwback arena pop akin to
Jack Antonoff
Bleachers
. In general, they straddle both worlds, but the poppy hints found on 2013's
Legendary
really come to the fore here. On opener "Figure Me Out,"
declares that they're "a bit too pop for the punk kids, but a bit too punk for the pop kids," which is an apt description of the band circa 2016. "The Night Is Young" is a
Journey
-sized arena singalong, with its "live fast, die young" spirit, which bleeds into the defiant sex-and-drugs singalong "All My Friends." A hint of
John Waite
's "Missing You" appears on the chorus of "Missin' You." These millennial distillations of the '80s reveal a distinct pining for times past and an appreciation for accomplishment, regardless of age. On the spiritual center of the album -- the pair of "All In" and "Wasted" -- the band proclaims that, no matter what, the days spent partying together were not wasted. As they close one chapter of their journey together on "When the Party Ends (Can't Hardly Wait)," they declare "Turn the lights on/Party's over/Maybe someday we'll never get older." Yet it's more triumphant than sad. There's that sense of uncertainty on the entire album, which serves as both an extended trip down memory lane and, perhaps, a goodbye. But whether this is simply a bookend before a new phase or a complete finish is up in the air. Either way,
is a total celebration. ~ Neil Z. Yeung