Despite its title and front cover art,
Stories from the Steeples
,
Mary Black
's first recording in six years, is not a collection of hymns. It is titled for the Dublin studio where it was recorded. These 12 new selections are, in typical
Black
form, an impeccable mix of traditional-sounding and contemporary material. There is an enormous list of contributing players on these sessions, but the constants are guitarist
Bill Shanley
, keyboardist and accordionist
Pat Crowley
, double bassist
Nick Scott
, and fiddler
Matt McGranahan
. The album's opening cut, "Marguerite and the Gambler," written by
Ricky Lynch
, is certainly informed by the spirit of
Bob Dylan
's "Lily, Rosemary and the Jack of Hearts" (though
Dylan
's song was certainly informed by outlaw tales of the American South that came from centuries-old Celtic balladry in the first place, so there you go). It contains a stellar arrangement that highlights piano, mandolin, and
McGranahan
's lonesome fiddle. Three duets are strategically placed in this set. "Walking with My Love," an easy shuffler, is sung with countryman and Irish music legend
Finbar Furey
, who also plays banjo on it. "Lighthouse Light" sounds like it could have come from Ireland in the early 1960s (and maybe its melody originally did), but it was actually written by the Boston-based Irish songwriter
Ry Cavanaugh
; it features
singing with the incomparable
Janis Ian
. The real surprise though, is the album's first single, "Mountains to the Sea," written by Australians
Shane Howard
and
Neil Murray
. Walking the line between Celtic, contemporary folk, and pop,
is joined by countrywoman and chart-topping rock & roll singer
Imelda May
. Each woman does what she does best --
May
doesn't rein herself in,
doesn't try to rock it up. Their voices, phrasing, and timbres complement one another beautifully, weaving together seamlessly on the refrain. Another highlight is
's reading of
Eric Bogle
's antiwar ballad "All the Fine Young Men." There are three songs here written by
the Coronas
'
Danny Reilly
-- who also happens to be
's son. The best of the three -- though none of them are duds -- is the sparse, skeletal ballad "Faith in Fate." Her other children,
Roisin
Conor
, appear with
Danny
on his "The Night Is on Our Side."
is a welcome return for one of contemporary folk music's finest voices and most original stylists; it is also a stand-out album in
's solo catalog. ~ Thom Jurek