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Suicide Sal
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Suicide Sal
Current price: $16.99


Barnes and Noble
Suicide Sal
Current price: $16.99
Size: OS
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The success of
Angel Air
's series of
Maggie Bell
reissues can be easily judged by the Scottish singer's return to the U.K. after residing for years abroad, a planned autobiography, and her intention of touring. Although critically feted in the U.K.,
Bell
, both solo and with her former band
Stone the Crows
, never quite achieved the commercial breakthrough everyone had
so
expected. Always a bridesmaid, never a bride,
's recording career was punctuated by a sole
charting album. With that band's demise in 1973, the
soul
singer went solo, releasing the (again) critically acclaimed
Queen of the Night
album, with 1975's
Suicide Sal
following. A tougher, more energized set than its predecessor,
Sal
's electrifying live feel reflects the incendiary stage shows
and her new backing band had been playing in the intervening time between recordings. The two bonus tracks, recorded at a gig later that year, capture their live ferocity. Intriguingly, the funky, fiery title track, an homage to
's Aunt, a
music hall
star, is one of only two originals on this set. The second, the lavishly bluesy
"If You Don't Know"
was penned by band keyboardist
Pete Wingfield
, and boasts a guesting
Jimmy Page
on guitar. The storming
"Coming on Strong"
also has a
connection, being co-penned by ex-
Crow
Colin Allen
and
Zoot Money
. The rest of the album comprises astutely chosen covers drawn from an eclectic selection of artists. One of the standouts is
"It's Been So Long,"
a powerful
gospel
number written by
the Pretty Things
'
Phil May
, who not only rewrote some of the lyrics for
, but added his backing vocals to the song.
Free
's classic
"Wishing Well"
gets a sensational workout, while that band's offshoot
Kossoff, Kirke, Tetsu & Rabbit
's
"Hold On"
is taken to new emotive heights. From barrelling
Beatles
pop
to
the Sutherland Brothers
poignant Gaelic ode, from
ballads
to hefty
rock & roll
,
struts across this set with style and such assurance, that even Aunt Sal must have been impressed. One of Britain's greatest
singers, showcased at her best, this magnificent album also includes an excellent, expansive biography of this crucial artist. ~ Jo-Ann Greene
Angel Air
's series of
Maggie Bell
reissues can be easily judged by the Scottish singer's return to the U.K. after residing for years abroad, a planned autobiography, and her intention of touring. Although critically feted in the U.K.,
Bell
, both solo and with her former band
Stone the Crows
, never quite achieved the commercial breakthrough everyone had
so
expected. Always a bridesmaid, never a bride,
's recording career was punctuated by a sole
charting album. With that band's demise in 1973, the
soul
singer went solo, releasing the (again) critically acclaimed
Queen of the Night
album, with 1975's
Suicide Sal
following. A tougher, more energized set than its predecessor,
Sal
's electrifying live feel reflects the incendiary stage shows
and her new backing band had been playing in the intervening time between recordings. The two bonus tracks, recorded at a gig later that year, capture their live ferocity. Intriguingly, the funky, fiery title track, an homage to
's Aunt, a
music hall
star, is one of only two originals on this set. The second, the lavishly bluesy
"If You Don't Know"
was penned by band keyboardist
Pete Wingfield
, and boasts a guesting
Jimmy Page
on guitar. The storming
"Coming on Strong"
also has a
connection, being co-penned by ex-
Crow
Colin Allen
and
Zoot Money
. The rest of the album comprises astutely chosen covers drawn from an eclectic selection of artists. One of the standouts is
"It's Been So Long,"
a powerful
gospel
number written by
the Pretty Things
'
Phil May
, who not only rewrote some of the lyrics for
, but added his backing vocals to the song.
Free
's classic
"Wishing Well"
gets a sensational workout, while that band's offshoot
Kossoff, Kirke, Tetsu & Rabbit
's
"Hold On"
is taken to new emotive heights. From barrelling
Beatles
pop
to
the Sutherland Brothers
poignant Gaelic ode, from
ballads
to hefty
rock & roll
,
struts across this set with style and such assurance, that even Aunt Sal must have been impressed. One of Britain's greatest
singers, showcased at her best, this magnificent album also includes an excellent, expansive biography of this crucial artist. ~ Jo-Ann Greene