Though recorded quickly over two days -- and indeed, literally recorded live in the studio with no overdubs -- 's sole album from 1969 is a gentle treat for anyone interested in the obscurer realms of late-'60s U.K. and its descendants. It's always a pleasure to hear something that did not deservedly go out of print -- and therefore get an unnecessary reputation. Instead, the combination of bandleader ' gentle vocals and delicate guitar work, 's equally strong talents, and the ace-in-the-hole performing of sax and flute player is often quite magical. That the band openly has a debt to and practically goes without saying, but there's a difference between mere aping and finding a particular spin on a sound, and firmly comes down on the side of the latter. For such a rushed and in-the-moment album, the sound is often quite rich -- credit not only to 's inspired engineering, but to the band's clear abilities as a solid live act. Hearing ' gentle vibes work on or 's flourishes on mandolin for shows how well each complements the other songwriter's work. Yet in many ways is the key throughout -- clearly picking up on influences as much as ones, much like his bandmates, and the result is a detailed, fluid series of performances on his chosen instruments, ranging from the restrained then strutting sax parts on to gentle background flute on The band's weakest element might be the lyrics, but nothing is outright bad, just sometimes awkward. 's 2006 re-release, in keeping with the label's similar work, features not only excellent sound but winning, retrospective liner notes from and a slew of rare pictures, plus a bonus track, that originally appeared on an obscure compilation album from 1970. ~ Ned Raggett