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The Bad Seed
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The Bad Seed
Current price: $12.99


Barnes and Noble
The Bad Seed
Current price: $12.99
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The 1985 TV movie
The Bad Seed
is the second film version of Maxwell Anderson's 1956 Broadway play. Carrie Wells plays Rachel Penmark, a 9-year-old girl who is perfection itself--unless she's crossed or challenged. Several disturbing recent incidents have led Rachel's mother Christine (Blair Brown) to suspect that her child is a latent murderess. Upon discovering that she herself is the daughter of a convicted killer, Christine becomes convinced that sweet little Rhoda is a "bad seed"--an inherent killer who feels no remorse because she doesn't know any better. David Carradine co-stars as a moronic handyman who comes too close to Rhoda's secret to live, while Lynn Redgrave essays the Evelyn Varden role of Monica Breedlove, a garrulous landlady. Originally aired February 7, 1985, this version of
avoids the many cop-outs in the 1956 theatrical film version by retaining Maxwell Anderson's ironic final scene. Film historians will note that producers changed the title character's name from "Rhoda" to "Rachel" for this version, perhaps to lend the story a more contemporary feel.
The Bad Seed
is the second film version of Maxwell Anderson's 1956 Broadway play. Carrie Wells plays Rachel Penmark, a 9-year-old girl who is perfection itself--unless she's crossed or challenged. Several disturbing recent incidents have led Rachel's mother Christine (Blair Brown) to suspect that her child is a latent murderess. Upon discovering that she herself is the daughter of a convicted killer, Christine becomes convinced that sweet little Rhoda is a "bad seed"--an inherent killer who feels no remorse because she doesn't know any better. David Carradine co-stars as a moronic handyman who comes too close to Rhoda's secret to live, while Lynn Redgrave essays the Evelyn Varden role of Monica Breedlove, a garrulous landlady. Originally aired February 7, 1985, this version of
avoids the many cop-outs in the 1956 theatrical film version by retaining Maxwell Anderson's ironic final scene. Film historians will note that producers changed the title character's name from "Rhoda" to "Rachel" for this version, perhaps to lend the story a more contemporary feel.