An album title that would cause considerable confusion in the future,
The Best of the Wailers
was not a roundup of the group's current singles nor a career-spanning look back at what the band had accomplished so far. Instead, it was a ten-song set of what was then new recordings all overseen by producer
Leslie Kong
. In May 1970, when
the Wailers
entered
Dynamic Sound Studios
in Kingston,
Kong
was an all conquering hero, the man who had brought
Jimmy Cliff
,
Desmond Dekker
, and
the Maytals
to international fame.
The Wailers
were, in contrast, at a low point, their own hopes kindled by
Johnny Nash
dashed, while a series of sessions with other producers yielded little of consequence. Perhaps
could work his magic on them.
's studio band,
the Beverleys' All Stars
(aka
Gladdy's All Stars
), led by pianist
Gladstone "Gladdy" Anderson
, laid down sumptuous
reggae
backings that rippled with melody. The rhythms, while rock solid, were less emphatic and jumpy than their competitors, with the arrangements interweaving
Gladstone
's glorious piano,
Winston Wright
's effervescent organ, and
Hux Brown
's Western-flared guitar.
The All Stars
' superb backings powered innumerable hits, and the band served
equally well, giving a luminescent quality to all the songs here. Of the ten numbers, the harmony-drenched
"Soul Shakedown Party"
was the standout, although the delicate and equally harmony-laden
"Soul Captives"
comes close.
Peter Tosh
's powerful
"Stop the Train,"
Bob Marley
's equally forceful
"Caution,"
and the romance-laced
"Do It Twice"
were all just as memorable.
was apparently so impressed with the strength of the music, he decided that
Best Of
best summed it up.
felt otherwise. It was obvious the producer was spread too thin, and once the sessions were over
moved on, hooking up with
Lee Perry
, and the band was peeved when
finally decided to release this set, especially with that title. Legend has it that
Bunny Livingston
warned the producer to change it, noting the album was only the best if
wasn't going to be around long enough to hear anything better. And so it proved, for a week after
's release in August 1971,
, only 38, died of a heart attack. ~ Jo-Ann Greene