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The Cornhill Magazine, Vol. 8: July to December, 1863 (Classic Reprint)

Current price: $23.57
The Cornhill Magazine, Vol. 8: July to December, 1863 (Classic Reprint)
The Cornhill Magazine, Vol. 8: July to December, 1863 (Classic Reprint)

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The Cornhill Magazine, Vol. 8: July to December, 1863 (Classic Reprint)

Current price: $23.57

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Excerpt from The Cornhill Magazine, Vol. 8: July to December, 1863 The conflict was one that could not end, and in the effort at prayerful pleading the uneasy mind laved its smart continually in thoughts of the greatness of that task which there was no man else to fulfil if he forsook it. It was not a thing of every day that a man should be inspired with the vision and the daring that made a sacred rebel. Even the words of prayer had died away. He continued to kneel, but his mind was filled with the images of results to be felt through all Europe; and the sense of immediate difficulties was being lost in the glow of that vision, when the knocking at the door announced the expected visit. Savonarola drew on his mantle before he left his cell, as was his custom when he received visitors; and with that immediate response to any appeal from without which belongs to a power-loving nature accustomed to make its power felt by speech, he met Tito with a glance as self-possessed and strong as if he had risen from resolution instead of conflict. Tito did not kneel, but simply made a greeting of profound deference, which Savonarola received quietly without any sacerdotal words, and then desiring him to be seated, said at once. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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