After hearing late-'60s
rock & roll
from his friend
Chris Kachulis
,
Bruce Haack
added
acid rock
to his already diverse sonic palette. The result was 1970s
Electric Lucifer
, a
psychedelic
, anti-war song cycle about the battle between heaven and hell. The underlying concept of this concept album is
"Powerlove,"
a divine force that not only unites humanity but forgives Lucifer his transgressions as well. But though this album extols the healing powers of peace and love,
uses often menacing music and lyrics to get its point across.
"War"
depicts the battle royale between good and evil with a martial beat and salvos from dueling synthesizers; a child's voice murmurs "I don't want to play anymore, " and a funereal synth melody replaces the electronic battle march.
Haack
's marriage of
rock
rhythms and his unique electronics creates a sound unlike either his previous work or the era's
psychedelic rock
, but songs like
"Incantation"
and
"Word Game,"
with their percolating beats, buzzing synths and vocoders, are much trippier than most
. The strangely forlorn
"Song of the Death Machine"
sounds a bit like a short-circuiting
HAL
singing
"My Darling Clementine,"
while
"Word Game"
features cool, dark
electro
-
and brain-teasing lyrics like "Ray of sun/Reason/Knowledge/No legends."
Kachulis
sings on both of these tracks, and his deadpan vocals complement the weirdness going on around him nicely. His involvement with
also includes aiding the album's release on
Columbia Records
; though it was
's only major-label release,
remains musically innovative and subversive. ~ Heather Phares