The 2006 release of
The Essential Gloria Estefan
satisfied a long unmet need for a career-spanning English-language retrospective, one that includes the singer's popular hits with
Miami Sound Machine
in the mid-'80s as well as her subsequent solo recordings. For years,
Estefan
fans had few best-of choices to choose from -- the Spanish-language
Exitos de Gloria Estefan
(1990), the two-volume
Greatest Hits
series (1992, 2001), and the latter-day
Amor y Suerte: Exitos Romanticos
collection (2004) -- with no alternatives, not even budget-line knockoffs. The long-overdue release of
thankfully resolved this gripe, for it includes the highlights from all aspects of
's varied output, spread generously across two jam-packed discs. (Well, it does exclude her bounty of Spanish-language recordings, the highlights of which can be found on
Oye Mi Canto: Los Exitos
, an excellent single-disc retrospective released simultaneously. But at least there are some key inclusions here from the excellent
Mi Tierra
album from 1993 -- a full-length that deserves to be heard in full. Pretty much all the
hits are here, beginning with
"Dr. Beat,"
as are all of
's initial solo smashes from
Cuts Both Ways
(1989) and
Into the Light
(1991). Some of these songs are featured in their single versions, notably
"Bad Boy,"
"1-2-3,"
and
"Live for Loving You,"
which is a good call in those cases, because these versions were the ones that became radio hits. There is also a lot of
's post-prime material here, taken from albums like
Hold Me Thrill Me Kiss Me
(1994),
Destiny
(1996), and
Gloria!
(1998); and there are a few songs previously found only on compilations, most notably the beautiful
"I See Your Smile."
But the emphasis overall is on
's more popular, earlier material, and rightfully so. The sequencing may be an issue for some, as it splits her songs between a "fast" and "slow" disc -- that is, a disc of
dance-pop
and one of
ballads
. It's an appropriate decision, for
's music always did veer back and forth from one extreme to the other. However, the decision to sequence the discs non-chronologically is more troublesome, especially for those who would prefer the
material front-loaded in favor of the less well-known latter-day solo recordings. These minor matters aside,
is without question the one-stop English-language retrospective that her catalog had been lacking for years. A more succinct single-disc collection (for instance, the
-heavy
) may be more suitable for the less committed, but anyone looking for the full package need not look further. That is, unless you want her Spanish-language hits, too, in which case there's the likewise full-package
. ~ Jason Birchmeier