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The Five Faces of Manfred Mann
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The Five Faces of Manfred Mann
Current price: $15.99
Barnes and Noble
The Five Faces of Manfred Mann
Current price: $15.99
Size: CD
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The debut album by
Manfred Mann
holds up even better 40 years on than it did in 1964. It's also one of the longest LPs of its era, clocking in at 39 minutes, and there's not a wasted note or a song extended too far among its 14 tracks.
The Manfreds
never had the reputation that
the Rolling Stones
enjoyed, which is a shame, because
The Five Faces of Manfred Mann
is one of the great blues-based British invasion albums; it's a hot, rocking record that benefits from some virtuoso playing as well, and some of the best singing of its era, courtesy of
Paul Jones
, who blew most of his rivals out of the competition with his magnificently impassioned, soulful performance on
"Untie Me,"
and his simmering, lusty renditions of
"Smokestack Lightning"
and
"Bring It to Jerome."
The stereo mix of the album, which never surfaced officially in England until this 1997
EMI
anniversary reissue (remastered in 24-bit digital sound), holds up very nicely, with sharp separation between the channels yet -- apart from a few moments on
"Untie Me"
-- few moments of artificiality. ~ Bruce Eder
Manfred Mann
holds up even better 40 years on than it did in 1964. It's also one of the longest LPs of its era, clocking in at 39 minutes, and there's not a wasted note or a song extended too far among its 14 tracks.
The Manfreds
never had the reputation that
the Rolling Stones
enjoyed, which is a shame, because
The Five Faces of Manfred Mann
is one of the great blues-based British invasion albums; it's a hot, rocking record that benefits from some virtuoso playing as well, and some of the best singing of its era, courtesy of
Paul Jones
, who blew most of his rivals out of the competition with his magnificently impassioned, soulful performance on
"Untie Me,"
and his simmering, lusty renditions of
"Smokestack Lightning"
and
"Bring It to Jerome."
The stereo mix of the album, which never surfaced officially in England until this 1997
EMI
anniversary reissue (remastered in 24-bit digital sound), holds up very nicely, with sharp separation between the channels yet -- apart from a few moments on
"Untie Me"
-- few moments of artificiality. ~ Bruce Eder