Inner Mystique
seems to be
the Chocolate Watchband
album that fans and casual listeners know best, even though it was the one of their three records that was most disconnected from any active incarnation of the group. Slapped together in late 1967, in the wake of the virtual collapse of their lineup and rushed out in February of 1968, its original first side contained not a single note played or sung by
the Watchband
itself. Instead, engineer
Richie Podolor
assembled a group of studio musicians, playing a pair of languid
psychedelic
instrumentals --
"Voyage of the Trieste"
and
"Inner Mystique"
-- in which the sitar flourishes and flute arabesques hung like jeweled ornaments, sandwiched around a new recording by singer
Don Bennett
(who'd already supplied some vocals without the group's knowledge or approval on their first album) of
"In the Past,"
the latter a song originally written and recorded by the Florida-based
-
punk
band
We the People
. The second side was comprised of a hodgepodge of superb finished
Watchband
sides -- most notably
"I'm Not Like Everybody Else"
"I Ain't No Miracle Worker,"
mixing
bravado and angst, which have long been the album's selling points -- and outtakes such as
"Let's Go, Let's Go, Let's Go"
"Medication,"
with
Bennett
's vocals replacing
David Aguilar
's, and one remixed and partly redubbed version of
"It's All Over Now, Baby Blue."
As with the group's first album, however,
is sort of "guilty with an explanation" -- yes, it's a mess in terms of continuity, with two different singers and three different vocal/instrumental combinations present, but the three full
tracks are killer recordings that can hold their heads up with the best
rock
records of 1967; what's more, even the
-sung/studio band played
"In the Past"
is worthwhile,
or not, as a piece of shimmering
psychedelia
with a great beat and arrangement; and even
"Inner Mystique,"
as pieces of
background music, were good enough that one of them ended up on
Rhino
's
Best of the Chocolate Watchband
collection. And that's not bad for a 28-minute album with only eight cuts on it, pieced together with only the barest (if any) participation by the band. ~ Bruce Eder