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The Last Holy Writer
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The Last Holy Writer
Current price: $16.99
Barnes and Noble
The Last Holy Writer
Current price: $16.99
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Truth be told, the
Trembling Blue Stars
routine was getting kind of stale by the release of
Seven Autumn Flowers
in 2004. With that album they crossed the line that divides reliable and predictable; no longer did the morose lyrics, melancholy vocals, minor chords and cheesy synths make a positive impression. Luckily for fans of the band,
The Last Holy Writer
is a comeback of sorts, certainly an improvement, and maybe even one of their finest records. How did they do it? It's hard to say because on the surface it seems like not much has changed sound or mood-wise. There's still a preponderance of downbeat lyrics and
Bob Wratten
hasn't suddenly traded in his mope for a smile, no fear of that anytime soon. The building blocks of their sound are mostly the same too. What makes a difference here is a boost in the overall energy level from unrelenting gloom to mostly sad, a slightly expanded sonic palette that makes room for
field recordings
and a wider range of drum sounds, and most importantly, some really good songs. Chief among them are the
Beth Arzy
-sung
"Idyllwild"
which, much like
Helen Reddy
on the last album, fairly bursts out of the speakers like sun through the clouds,
"Darker, Colder, Slower,"
which has the kind dramatic shifts in dynamics and tone
TBS Records
need more of, the laid-back near-
country
rocker
"The Tenth of Always,"
and the almost happy sounding
"Say Goodbye to the Sea"
(of course the words are devastatingly sad, but the drum program and the bells will have you smiling through the tears). The song that will really make the album worthwhile for
Wratten
fanatics is
"November Starlings,"
an up-tempo 12-string
jangle pop
gem that is easily on par with the best of
the Field Mice
. The few songs that lag a bit are the exception on
and if you stick around to the end you're rewarded with the beautiful
"A Statue to Wilde,"
which unspools epically over seven minutes of majestic melancholy. Between
Arzy
's wonderful vocal, the drums that call to mind
Ride
's
"Dreams Burn Down"
and the heartbreaking chorus, it's one of the best things the
Blue Stars
have committed to tape, and it's an excellent cap on an album good enough to win back any fans who handed in their badges after a couple of down records. The
will never be thrilling, but at least they are back to being powerful and heartbreaking again. ~ Tim Sendra
Trembling Blue Stars
routine was getting kind of stale by the release of
Seven Autumn Flowers
in 2004. With that album they crossed the line that divides reliable and predictable; no longer did the morose lyrics, melancholy vocals, minor chords and cheesy synths make a positive impression. Luckily for fans of the band,
The Last Holy Writer
is a comeback of sorts, certainly an improvement, and maybe even one of their finest records. How did they do it? It's hard to say because on the surface it seems like not much has changed sound or mood-wise. There's still a preponderance of downbeat lyrics and
Bob Wratten
hasn't suddenly traded in his mope for a smile, no fear of that anytime soon. The building blocks of their sound are mostly the same too. What makes a difference here is a boost in the overall energy level from unrelenting gloom to mostly sad, a slightly expanded sonic palette that makes room for
field recordings
and a wider range of drum sounds, and most importantly, some really good songs. Chief among them are the
Beth Arzy
-sung
"Idyllwild"
which, much like
Helen Reddy
on the last album, fairly bursts out of the speakers like sun through the clouds,
"Darker, Colder, Slower,"
which has the kind dramatic shifts in dynamics and tone
TBS Records
need more of, the laid-back near-
country
rocker
"The Tenth of Always,"
and the almost happy sounding
"Say Goodbye to the Sea"
(of course the words are devastatingly sad, but the drum program and the bells will have you smiling through the tears). The song that will really make the album worthwhile for
Wratten
fanatics is
"November Starlings,"
an up-tempo 12-string
jangle pop
gem that is easily on par with the best of
the Field Mice
. The few songs that lag a bit are the exception on
and if you stick around to the end you're rewarded with the beautiful
"A Statue to Wilde,"
which unspools epically over seven minutes of majestic melancholy. Between
Arzy
's wonderful vocal, the drums that call to mind
Ride
's
"Dreams Burn Down"
and the heartbreaking chorus, it's one of the best things the
Blue Stars
have committed to tape, and it's an excellent cap on an album good enough to win back any fans who handed in their badges after a couple of down records. The
will never be thrilling, but at least they are back to being powerful and heartbreaking again. ~ Tim Sendra
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