Having toured with
Flying Lotus
and played on
Cosmogramma
,
Until the Quiet Comes
, and
Thundercat
's
The Golden Age of Apocalypse
Oliver Johnson
is a natural fit for the
Brainfeeder
label, where he lands with his third album. As he did between his 2009 debut and 2014 follow-up, the producer took his time and scrupulously avoided repeating his approach in making
The Nature of Imitation
. Although '70s fusion, '90s electronica, and other cited influences have wriggled across previous
Dorian Concept
releases, they're amplified here by
Johnson
's comparatively organic method of track building, which emphasizes hand-played instrumentation as its foundation. Aspiring to provide a "tongue-in-cheek 'parody of nostalgia,'" these tracks to the contrary aren't lacking in wholehearted emotion and sound like the work of the same screwball synthesist who made
When Planets Explode
and
Joined Ends
. Combined with a higher level of musicality kept in check with a greater sense of nuance,
is
's most accomplished and enjoyable album. Bursting with joy despite a drastic reduction in dainty frills, it often evokes routines with double- and triple-jointed dancers, enhanced with blissful if incoherent layered vocals. At its giddiest -- brilliantly knotty highlights "J Buyers," "No Time Not Mine," and "Pedestrians" -- the album reflects the feeling of a child who is about to hit the bike shop with a gift card burning a hole in their pocket. ~ Andy Kellman