The Pirate Queen
was a stage
musical
presented by the production team behind
Riverdance
, who commissioned
Claude-Michel Schoenberg
and
Alain Boublil
, the French songwriters of
Les Miserables
Miss Saigon
. The show, which ran on Broadway for an unsuccessful ten-and-a-half weeks between April 5 and June 17, 2007, was what perhaps might have been expected from such a pairing, a production celebrating the life of "legendary Irish Chieftain
Grace O'Malley
" and detailing her activities as a pirate as well as her personal life, with a lot of room for high-stepping dance numbers. As they had in their commercial successes,
Schoenberg
Boublil
took hold of a historical period and then focused in on romantic melodrama.
, assisted by co-lyricist
John Dempsey
and co-lyricist/co-librettist
Richard Malty, Jr.
, turned
O'Malley
into a proto-feminist, even drawing in an eventually sympathetic
Queen Elizabeth I
. Less politically correct than simply pandering, however, the lyrics never became sufficiently particular to make the story more than the contrasting simplistic pronouncements of generalized characters. In their past efforts,
sometimes had rescued
and his English-speaking assistants by providing music that was moving no matter what trivialities the singers were given to mouth, but here, attempting to sprinkle in unfamiliar Celtic and Elizabethan elements, he seemed to have lost his gift for melody much of the time, not even managing to come up with a couple of the
adult contemporary
American Idol
-style power
ballads
that were his metier. He did provide plenty of what was in essence underscoring to recitative, but little in the way of memorable music. The cast, led by
Stephanie J. Block
, seemed at a loss how to perform the largely inert
material and took a professional, but uninvolved approach. The result was a theatrical disaster that found few defenders and even fewer paying customers during its brief run. ~ William Ruhlmann