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The Smell of Our Own
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The Smell of Our Own
Current price: $61.99
Barnes and Noble
The Smell of Our Own
Current price: $61.99
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With all the hype around
the Hidden Cameras
and their "gay
folk
church music," you'd think they were the second coming. Unlike their influences, such as
the Magnetic Fields
and
Belle & Sebastian
, who usually couch the nitty-gritty details of lust and sex in witty metaphors or avoid them altogether,
Joel Gibb
and company not only celebrate sex and its accompanying smells and stains, but inflate them to divine status on their second album,
The Smell of Our Own
. This is a worthy accomplishment -- too much
indie rock
indie pop
is notoriously phobic when it comes to singing about sex of any kind -- but it seems to be the main thing that differentiates
from the many other bands that use not only
, but
Brian Wilson
,
Phil Spector
, and other purveyors of cleverly written
symphonic pop
as touchstones. That's on record, at least;
the Cameras
' legendary, theatrical performances -- which have been held in churches and adult theaters alike and feature strippers, films, and dancing galore -- would doubtlessly make the songs on
that much more technicolor-brilliant. Stripped of that context, the album almost sounds like an original cast recording of a
musical
-- the next best thing to being there, but not the same by a long shot. The album's best songs, such as
"Ban Marriage,"
a subversively witty retort to the seemingly endless legal battles surrounding gay marriages and an exploration of how pointless marriage is in general, have enough substance on their own to make the transition from live spectacle to
pop
single relatively intact. Likewise, the triumphantly fey
"Boys of Melody"
"The Man That I Am With My Man"
capture the smutty idealism that's at the heart of
' agenda. However, most of
is just pleasant, sunny
; even with lyrics as sexually free-thinking as
"Smells Like Happiness"
' "Happiness has a smell I inhale like a drug done in a darkened hall or a bathroom stall with a friend or a man with a hard-on," and not one but two songs about water sports, the music is still overwhelmingly traditional. This album brings back
indie
music's libido, which is certainly worth something; it's also possible that if
' music sounded as radical as its lyrics are, it wouldn't be nearly as well-received. Ultimately
is a very good, but not great, album. Perhaps next time
will go all the way -- so to speak -- and deliver something that's equally forward-thinking in its sexuality and its sound. ~ Heather Phares
the Hidden Cameras
and their "gay
folk
church music," you'd think they were the second coming. Unlike their influences, such as
the Magnetic Fields
and
Belle & Sebastian
, who usually couch the nitty-gritty details of lust and sex in witty metaphors or avoid them altogether,
Joel Gibb
and company not only celebrate sex and its accompanying smells and stains, but inflate them to divine status on their second album,
The Smell of Our Own
. This is a worthy accomplishment -- too much
indie rock
indie pop
is notoriously phobic when it comes to singing about sex of any kind -- but it seems to be the main thing that differentiates
from the many other bands that use not only
, but
Brian Wilson
,
Phil Spector
, and other purveyors of cleverly written
symphonic pop
as touchstones. That's on record, at least;
the Cameras
' legendary, theatrical performances -- which have been held in churches and adult theaters alike and feature strippers, films, and dancing galore -- would doubtlessly make the songs on
that much more technicolor-brilliant. Stripped of that context, the album almost sounds like an original cast recording of a
musical
-- the next best thing to being there, but not the same by a long shot. The album's best songs, such as
"Ban Marriage,"
a subversively witty retort to the seemingly endless legal battles surrounding gay marriages and an exploration of how pointless marriage is in general, have enough substance on their own to make the transition from live spectacle to
pop
single relatively intact. Likewise, the triumphantly fey
"Boys of Melody"
"The Man That I Am With My Man"
capture the smutty idealism that's at the heart of
' agenda. However, most of
is just pleasant, sunny
; even with lyrics as sexually free-thinking as
"Smells Like Happiness"
' "Happiness has a smell I inhale like a drug done in a darkened hall or a bathroom stall with a friend or a man with a hard-on," and not one but two songs about water sports, the music is still overwhelmingly traditional. This album brings back
indie
music's libido, which is certainly worth something; it's also possible that if
' music sounded as radical as its lyrics are, it wouldn't be nearly as well-received. Ultimately
is a very good, but not great, album. Perhaps next time
will go all the way -- so to speak -- and deliver something that's equally forward-thinking in its sexuality and its sound. ~ Heather Phares
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