Shortly after the opening of a new parliament in 1906, relatives of some of the captive women demanded that the parliament punish those responsible. The newly reconstituted Ministry of Justice investigated the matter and actually tried several people who were alleged to be responsible. In , Afsaneh Najambodi investigates what made this incident more powerful. How did a familiar incident of rural destitution and the story of yet another Turkoman raid became a uniquely outrageous story? Although it captured the Iranian national imagination, this event has been all but forgotten. What does this "amnesia" tell us about the political culture or modern Iran, as well as that country's national memory, and about modernist historiography, as well as that country's national memory, and about modernist historiography in general?