At fifteen, Jean is ready to slip into the secret life of adults; already she enjoys the attention of a cross-border whiskey smuggler. When he is shot by other smugglers, she rows out to him. Close to shore, she admits to herself that he is dead. Setting the course of her life, she sidesteps explanation by rolling the body overboard and sneaking home. Soon, she accepts a movie cameraman's impulsive proposition and heads for New York disguised as a boy. Being beautiful, being looked at becomes Jean's métier. In New York, working as nude model, she learns the value of her youth and beauty and what sex can buy her if she uses it judiciously. In Hollywood, silent-film stardom is soon hers. Asked to make a movie in France, she says Yes, as always. She says Yes again to a much-older count, has a son, and lives as a Paris aristocrat until her life is devastated by World War II. Her husband dead and her apartment commandeered, she huddles at the family's country home with her child until the war is over. Trading on her title, Jean opens a gallery, and, in the postwar confusion about ownership, she carefully sells a parcel of Picassos left with her by a missing Russian Jewish designer. But peace is transitory. She loses her son to the war in Indochina, her lover to family duties, her womb to a hysterectomy. Stricken with restlessness, she sells the gallery, moves to Montreal, and starts a new career in films and commercials. In old age, she measures out her last days in her Montreal apartment, her resilience undimmed by history and human folly. In David Helwig has created a highly entertaining and provocative work. This is an inspired exploration of time and memory skillfully crafted by a veteran Canadian writer.