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The Wayward Bus/Distant Plastic Trees
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The Wayward Bus/Distant Plastic Trees
Current price: $12.99
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Barnes and Noble
The Wayward Bus/Distant Plastic Trees
Current price: $12.99
Size: CD
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Magnetic Fields
' first two albums, released in 1990 and 1992 on tiny indies and all but ignored until the release of this double CD in 1994, are among the most influential records of '90s
indie pop
. Resolutely unfashionable in the dawning of
grunge
, with their early-'80s synthesizers and deliberately twee lyrical preoccupations, these albums are directly responsible for dozens, if not hundreds, of less capable imitators. Thing is, they're also the least interesting and most atypical
albums. Both albums were sung by
Susan Anway
, whose deliberately deadpan voice sounds like a cross between
Tracey Thorn
and
Francoise Hardy
, instead of
Stephin Merritt
. While
Anway
's voice has an alluring charm on many tracks and is absolutely perfect for songs like the
Phil Spector
pastiche
"When You Were My Baby"
and the classic heartbreaker
"100,000 Fireflies,"
she can't always put across
Merritt
's signature mix of cynicism and romantic longing. For that matter, these are
's weakest songs both lyrically and melodically, with only flashes of the wit and sophistication that flowered on later
albums. While there are several gems to be found here, including the hypnotic
"You Love to Fail"
and the swooning
"Suddenly There Is a Tidal Wave,"
many of the melodies are unmemorable and a few of the lyrics strive for the kind of offhand cleverness that would later become
's trademark. These records are historically important, and entertaining in their way, but they're by far the weakest releases of
's career. ~ Stewart Mason
' first two albums, released in 1990 and 1992 on tiny indies and all but ignored until the release of this double CD in 1994, are among the most influential records of '90s
indie pop
. Resolutely unfashionable in the dawning of
grunge
, with their early-'80s synthesizers and deliberately twee lyrical preoccupations, these albums are directly responsible for dozens, if not hundreds, of less capable imitators. Thing is, they're also the least interesting and most atypical
albums. Both albums were sung by
Susan Anway
, whose deliberately deadpan voice sounds like a cross between
Tracey Thorn
and
Francoise Hardy
, instead of
Stephin Merritt
. While
Anway
's voice has an alluring charm on many tracks and is absolutely perfect for songs like the
Phil Spector
pastiche
"When You Were My Baby"
and the classic heartbreaker
"100,000 Fireflies,"
she can't always put across
Merritt
's signature mix of cynicism and romantic longing. For that matter, these are
's weakest songs both lyrically and melodically, with only flashes of the wit and sophistication that flowered on later
albums. While there are several gems to be found here, including the hypnotic
"You Love to Fail"
and the swooning
"Suddenly There Is a Tidal Wave,"
many of the melodies are unmemorable and a few of the lyrics strive for the kind of offhand cleverness that would later become
's trademark. These records are historically important, and entertaining in their way, but they're by far the weakest releases of
's career. ~ Stewart Mason