Winner of the 2017 Reading the West Award A New York Times Book Review Editors' Choice "This gorgeously written historical novel follows Dulcy, a young woman in 1904 who attempts to flee her late father's business problems―and her violent ex–fiance's grasp―by traveling west and posing as a wealthy widow." ― Entertainment Weekly Dulcy Remfrey has traveled the globe with her eccentric father, Walton, a wealthy entrepreneur obsessed with earthquakes and catastrophe, searching to cure his long battle with syphilis through any crackpot means necessary. Their deep connection is tested, however, when Walton returns from an African expedition without any of the proceeds from the sale of his gold mine. It seems he's lost his mind along with the great sum of money, his health declining rapidly. Her father's business partner (and her ex–fiancé) insists Dulcy come to Seattle to decipher her father's cryptic notebooks—a dozen in all, wrapped in brightly colored silk—which may hold clues to the missing funds. Yet when her father dies before they can locate the money, Dulcy falls under suspicion. Petrified of being forced to spend the rest of her life with her ex–love, Dulcy decides to disappear from the train bringing her father's body home. Is it possible to disappear from your old life and create another? Dulcy travels the West reading stories about her presumed death and settles into a small Montana town where she is reborn as Mrs. Nash, a wealthy young widow with no burden of family. But her old life won't let go so easily, and soon her ex–fiancé is on her trail, threatening the new life she is so eager to create. The Widow Nash is a riveting narrative, filled with a colorful cast of characters, rich historical details, and epic set pieces. Europe in summer. New York in fall. Africa in winter. The lively, unforgettable town of Livingston, Montana. And in Dulcy, Jamie Harrison has created an indelible heroine sure to capture the hearts of readers everywhere. "S weeping and richly hued . . . features a character set loose to wander the American West at the turn of the 20th century, a woman whose early experiences seem drawn from the worldly peregrinations of the era of Henry James . . . Harrison has rendered her imagined world anachronistically, but Henry James might still have approved." ― The New York Times Book Review