Completed and released six years later than
Optical Music
's first album,
Tomos 2
takes a very different direction. While the Greek group's first opus was more
improv
-based, this CD proposes four pieces that stand somewhere between
contemporary classical
,
sound art
, and
new age
. The four untitled movements (approximately 15 minutes each) were assembled by
Costis Drygianakis
and consist of extended
ambient
pieces mixing synthesizers, light
electronics
, specific instrumental contributions from a dozen musicians, and samples from a wide array of
field recordings
and
ethnic
music (the sources of which are listed exhaustively in the booklet). The music is inhabited by a "
world
" feel that makes its
avant
side easier to digest. The first movement makes extensive use of a groove lifted from a
Nusrat Fateh Ali Khan
CD. Lush and tribal, it displays an energy level that will remain unmatched. In the second movement, a single piano motif is used as a leitmotif to establish a
minimalist
atmosphere. Delicate arrangements like dreams wide awake turn it into the best track. The third movement becomes more aerial and lacks some substance. The last piece begins with
Dimitris Yiagis
reciting
"Psalm 103."
Sound textures rise in a crescendo, exploding into a slow rhythm that fades out, leaving strange Gothic overtones to linger before the curtain drops on a gentle final piano cadenza. The group feel of the first album has evaporated, leaving
Drygianakis
in complete control of this studio production. More focused than his
Post-Optical Landscapes
but also less daring,
points more toward the music of
Stathis Theocharakis
: soft, genre-blending, accommodating extremes with brilliant disregard to conventional forms. ~ Francois Couture