Bibliography of James H. Marrow Abbreviations Alfred Acres, 'Elsewhere in Early Netherlandish Painting'; Jonathan J. Alexander, 'A Shepherdess on a Swing in a Netherlandish Book of Hours'; FranCois Avril, 'Un nouveau manuscrit de Jean Bourdichon: Les Heures de Charles de Martigny, eveque d'Elne'; Gabriele Bartz, 'Adam wird ins Paradies getragen'; Marina Belozerskaya, 'Good Dog: Model Canines in Renaissance Manuscripts'; Adelaide Bennett, 'Christ's Five Wounds in the Aves of the Vita Christi in a Book of Hours about 1300'; Paul Binski, 'The Faces of Christ in Matthew Paris's Chronica Majora'; Bodo Brinkmann, 'Happy End fur einen Lowen'; Klara H. Broekhuijsen, 'Ende ziet alomme int paradijs: Seth's Vision of Paradise as Part of an Unusual Decoration Program in a Fifteenth-Century Book of Hours from Utrecht'; Walter Cahn, 'The Allegorical Menorah'; Bert Cardon, 'The Miroir de la salvation humaine Revisited: Bibliotheque Nationale de France, Ms. Fr. 3275'; Debra Taylor Cashion, 'The Man of Sorrows and Mel Gibson'; Albert Chatelet, 'L'enseignement paternel dans les Heures de Milan-Turin'; Gregory T. Clark, 'Made In Flanders and the Master of the Ghent Privileges: A Second Coda'; Henri Defoer, 'Images as Aids for Earning the Indulgences of Rome'; Christopher de Hamel, 'Dates in the Giant Bible of Mainz'; Albert Derolez, 'Two Notes on Mercatel's Earliest Astrological Manuscripts'; Mark Evans, 'The Afterlife of Saint Jerome: Giovanni Bilivert's Portrait of Neri Corsini'; Reindert L. Falkenburg, 'On Compositional Errata in Pieter Aertsen's Peasant Scenes'; Marc Gil, 'D'Italie du nord en Artois, le portrait de saint Bernardin de Sienne des Heures d'Antoine de Crevecoeur, vers 1450-55 : Leeds, University Library, The Brotherton Collection, Ms. 4'; Liz Guenther, 'Realism and Invention in the Prints of Albrecht Durer'; Jeffrey F. Hamburger, 'The Writing on the Wall: Inscriptions and Descriptions of Carthusian Crucifixions in a Fifteenth-Century Passion Miscellany'; Christian Heck, 'Histoire mythique et archeologie au quinzieme siecle: Une representation inedite de Stonehenge'; Lynn F. Jacobs, 'The Miraculous Threshold in Hugo Van der Goes's Portinari Altarpiece'; Eberhard Konig, 'Zur Wirklichkeit im Fensterbild der Kreuzannagelung des Wiener Stundenbuchs der Maria von Burgund'; Joseph Leo Koerner, 'Bosch's Enmity'; Anne S. Korteweg, 'Framing the Issues: A Codicological Approach to Dutch Border Decoration'; Thomas Kren, 'Simon Bening, Juan Luis Vives, and the Observation of Nature'; Anne-Marie Legare, 'The Reception of the Dresden Prayer Book Master in the Hainaut'; Jean Michel Massing, 'Two Portolan Charts of the Mediterranean in Cambridge by Joan Martines and Estienne Bremond'; Ruth Mellinkoff, 'Pilate's Wife'; Elizabeth J. Moodey, 'Historical Identity in the Burgundian Netherlands: The Role of Manuscripts'; William Noel, 'William de Brailes in Baltimore, Paris, and Stockholm'; Judith Oliver, 'A Bundle of Myrrh: Passion Meditation in French Vernacular Poems and Images in Some Liege Psalters'; Peter Parshall, 'Penitence and Pentimenti: Hieronymus Bosch's Mocking of Christ in London'; Veronique Plesch, 'Sixteenth-Century Pictorial and Dramatic Religious Cycles in the French Alps: Time for the Renaissance Yet?'; Lilian M. C. Randall, 'To Have and to Hold: The Bridal Hours of Isabelle de Coucy'; Kathryn M. Rudy, 'Fragments of a Mental Journey to a Passion Park'; Jochen Sander, 'Anmerkungen zu Jan Gossaert'; Lucy Freeman Sandler, 'Bedford in Brooklyn'; Gerhard Schmidt, 'Die zwei Stile des Meisters des Friedrichsbreviers: Ein spatgotischer Buchmaler kopiert Stiche des Meisters ES'; Diane Scillia, 'The Master of the Tiburtine Sibyl's Raising of Lazarus (Mexico City, San Carlos Museum) and the Early Haarlem School of Painting Reconsidered'; Larry Silver, 'Pox vobiscum: Early Modern German Art and Syphilis'; Jeffrey Chipps Smith, 'Albrecht Durer, Cardinal Matthaus Lang, and the Throne of Invention'; Robert Suckale, 'Rogier van der Weydens Werkstatt: Zwei Fallbeispiele'; Judith Testa, 'Simon Bening Studies Raphael: The Impact of the Italian High Renaissance on a Flemish Miniaturist'; Anne H. van Buren, 'A Window on Two Duchesses of Burgundy'; Hugo van der Velden, 'A Prayer Roll of Henry Beauchamp, Earl of Warwick'; Dominique Vanwijnsberghe, 'Robert Campin et l'enluminure: Trois miniatures attribuables a l'entourage direct du peintre tournaisien'; William M. Voelkle, 'Coins, Mussels, and a Crab in the Hours of Catherine of Cleves'; Ursula Weekes, 'Engraving the Mind: An Illustrated Rapiarum of the Fifteenth Century'; Roger S. Wieck, 'The Susanna Hours'; W. C. M. Wustefeld, 'Manuscript Painting in the Circle of the Master of Catherine of Cleves (ca 1635-60): Tradition and Context of Utrecht, Museum Catharijneconvent, Ms. ABM h15.